Title - Revision history

Hexagondolier: link to soundtrack page

2026-01-30T12:13:40Z

link to soundtrack page

← Older revision		Revision as of 14:13, 30 January 2026
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	}}		}}

	'''Title''' is the first song in the official soundtrack of ''[[OMORI (Game)\|OMORI]]''.<br>		'''Title''' is the first song in the official [[Soundtrack\|soundtrack]] of ''[[OMORI (Game)\|OMORI]]''.<br>
	The track features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). It also borrows chords from various other piano keys. <br>		The track features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). It also borrows chords from various other piano keys. <br>
	The piece has a pickup and is seven measures long. It will keep repeating as long as the game's title screen is open.		The piece has a pickup and is seven measures long. It will keep repeating as long as the game's title screen is open.

Boba: Reverted edits by a hidden user to last revision by Hexagondolier

2025-08-27T19:12:22Z

Reverted edits by a hidden user to last revision by Hexagondolier

Can't load revision 16300

at 18:18, 27 August 2025

2025-08-27T18:18:24Z

Can't load revision 16248

Hexagondolier: corrected numerical error

2025-08-26T18:31:54Z

corrected numerical error

← Older revision		Revision as of 20:31, 26 August 2025
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	* 167 - Remembrance - the motif is played on solo violin		* 167 - Remembrance - the motif is played on solo violin
	* 172 - DUET - the motif is heard in its most expanded form, as a waltz played by piano and violin		* 172 - DUET - the motif is heard in its most expanded form, as a waltz played by piano and violin
	* 176 - The Truth - the track begins with the first ~~two~~ notes of the motif		* 176 - The Truth - the track begins with the first four notes of the motif

	== Chord Structure ==		== Chord Structure ==

Hexagondolier: added image

2025-08-26T03:00:48Z

added image

← Older revision		Revision as of 05:00, 26 August 2025
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	{{Music infobox		{{Music infobox
	\| image = Title ~~screen~~.png		\| image = Title Screen.png
	\| size = ~~250px~~		\| size = 270px
	\| track-no = 1		\| track-no = 1
	\| length = 0:37		\| length = 0:37

Hexagondolier: added some details about the usages of the motif

2025-08-24T03:57:46Z

added some details about the usages of the motif

← Older revision		Revision as of 05:57, 24 August 2025
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	'''Title''' uses the ''Main Motif''. The motif is featured in the following tracks:		'''Title''' uses the ''Main Motif''. The motif is featured in the following tracks:
	* 001 - Title		* 001 - Title
	* 153 - Do You Remember		* 153 - Do You Remember? - the track is similar to '''Title''', but features arpeggios played by the left hand
	* 154 - Playing Forever		* 154 - Playing Forever - the motif is heard played as a waltz in the last thirty seconds of this track
	* 167 - Remembrance		* 167 - Remembrance - the motif is played on solo violin
	* 172 - DUET		* 172 - DUET - the motif is heard in its most expanded form, as a waltz played by piano and violin
	* 176 - The Truth		* 176 - The Truth - the track begins with the first two notes of the motif

	== Chord Structure ==		== Chord Structure ==

Hexagondolier: moved some information from the introduction to the infobox

2025-08-23T05:21:54Z

moved some information from the introduction to the infobox

← Older revision		Revision as of 07:21, 23 August 2025
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	{{Stub}}		{{Stub}}

			{{Music infobox
			\| image = Title screen.png
			\| size = 250px
			\| track-no = 1
			\| length = 0:37
			\| author = Pedro Silva (Slime Girls)
			\| bpm = 56
			\| key = C major
			\| time-signature = 4/4
			\| file-name = user_title.ogg
			}}

	'''Title''' is the first song in the official soundtrack of ''[[OMORI (Game)\|OMORI]]''.<br>		'''Title''' is the first song in the official soundtrack of ''[[OMORI (Game)\|OMORI]]''.<br>
	~~It is composed by Pedro Silva (Slime Girls).~~ The track ~~is thirty-seven seconds long that~~ features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). <br>		The track features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). It also borrows chords from various other piano keys. <br>
	The piece ~~is in C major and features a tempo of quarter note equals fifty-six beats per minute, a time signature of four-four, and~~ has a pickup and seven measures. ~~The track also borrows chords various other piano keys. <br>~~		The piece has a pickup and is seven measures long. It will keep repeating as long as the game's title screen is open.
	~~'''Title'''~~ will keep repeating as long as the game's title screen is open.

	== Motif ==		== Motif ==

Fixer01: Undo revision 14137 by Naughty (talk)

2025-05-01T22:42:59Z

Undo revision 14137 by Naughty (talk)

Can't load revision 15739

at 17:44, 1 May 2025

2025-05-01T17:44:51Z

Can't load revision 14137

Azsrs: I removed some obvious subjective material although there still might be some left, I can't tell very well as I do not know enough about music theory. Changed formatting to be easier to read. Added section for Motifs. Added Stub. Rewrote sentences to make them sound more encyclopedic

2024-03-02T22:40:29Z

I removed some obvious subjective material although there still might be some left, I can't tell very well as I do not know enough about music theory. Changed formatting to be easier to read. Added section for Motifs. Added Stub. Rewrote sentences to make them sound more encyclopedic

← Older revision		Revision as of 00:40, 3 March 2024
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	~~Spoilers Ahead in Musical analysis~~		{{Stub}}

	'''Title''' is the first song in the official soundtrack of ''OMORI''. It ~~was~~ composed by Pedro Silva (Slime Girls). The ~~opening theme~~ is thirty-seven seconds long that features ~~a slightly~~ out-of tune piano ~~playing while a~~ high pitch ~~that starts~~ and ends the ~~theme as well as~~ a distorted shifting sound ~~as almost as there is a microphone under water~~. ~~This~~ high pitch note is around a F~~-sharp six~~, creating a dissonant note not found in the key (i.e the tritone or augmented forth). The piece is in C major~~, has~~ a ~~slow~~ tempo of quarter note equals fifty-six beats per minute, a time signature of four-four, and has a pickup and seven measures. The track also borrows chords ~~from different~~ keys. '''Title''' will keep repeating ~~on a loop when on~~ the title screen.		'''Title''' is the first song in the official soundtrack of ''[[OMORI (Game)\|OMORI]]''.<br>
			It is composed by Pedro Silva (Slime Girls). The track is thirty-seven seconds long that features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). <br>
			The piece is in C major and features a tempo of quarter note equals fifty-six beats per minute, a time signature of four-four, and has a pickup and seven measures. The track also borrows chords various other piano keys. <br>
			'''Title''' will keep repeating as long as the game's title screen is open.

	Chord Structure: C major (second inversion), C sharp diminished (second inversion), D minor (second inversion), A major seven, G major, C major.		== Motif ==
			'''Title''' uses the ''Main Motif''. The motif is featured in the following tracks:
			* 001 - Title
			* 153 - Do You Remember
			* 154 - Playing Forever
			* 167 - Remembrance
			* 172 - DUET
			* 176 - The Truth

			== Chord Structure ==
			C major (second inversion), C sharp diminished (second inversion), D minor (second inversion), A major seven, G major, C major.
	Roman numerals: I6/5, #I6/5(borrowed chord), ii6/5, VI7(borrowed chord), V, I.		Roman numerals: I6/5, #I6/5(borrowed chord), ii6/5, VI7(borrowed chord), V, I.

	Musical analysis		== Musical analysis ==
	The two ~~iconic~~ starting notes is a major sixth~~, perhaps one of the most beautiful intervals~~. This interval ~~appears in the most~~ lyrical and passionate themes in music~~, such as~~ Star Wars (Leia's theme), Chopin's Nocturne Op.9 No.2 in E-flat major, Debussy's Clair De Lune~~, and many more~~. It is often ~~called the~~ interval of yearning~~, some say~~ childlike joy and innocence, there may be different interpretations~~, but~~ it is generally agreed it is sweet and pleasant. These interpretations follow striking parallels with OMORI and its themes. The theme in '''Title''' appear throughout the game at crucial moments to represent possibly numerous interpretations about '''The Truth'''. I like to the of Title as if as a foreshadow to what's in store in the game, the seven bars with it's melody and harmony tells a story. The story goes as "All's good" (Bar one, C major, before truth), "Something wrong" (Bar two, C-sharp diminished, Truth), "Now I'm sad" (Bars three and four, period of 4 years after Truth and before the game's events), "But Everything is going to be okay... right?" (Bars five through seven, G major to C major) The melody and harmony on the out-of tune piano provide the same story as OMORI and the ringing throughout the whole '''Title''' with the muffled sounds adds suspense and uncertainty as it's unclear what will happen.		The two starting notes is a major sixth. This interval is widely used to convey lyrical and passionate themes in music with examples ranging from ''Star Wars (Leia's theme)'', ''Chopin's Nocturne Op.9 No.2 in E-flat major'' as well as ''Claude Debussy's Clair De Lune''.<br>
			It is often referred to as ''The interval of yearning'' and is often associated with childlike joy and innocence. While there may be different interpretations it is generally agreed it sounds sweet and pleasant.