OMORI Wiki - User contributions [en]

Title

2026-01-30T12:13:40Z

Hexagondolier: link to soundtrack page

{{Stub}}

{{Music infobox
| image = Title Screen.png
| size = 270px
| track-no = 1
| length = 0:37
| author = Pedro Silva (Slime Girls)
| bpm = 56
| key = C major
| time-signature = 4/4
| file-name = user_title.ogg
}}

'''Title''' is the first song in the official [[Soundtrack|soundtrack]] of ''[[OMORI (Game)|OMORI]]''. 
The track features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). It also borrows chords from various other piano keys. 
The piece has a pickup and is seven measures long. It will keep repeating as long as the game's title screen is open.

== Motif ==
'''Title''' uses the ''Main Motif''. The motif is featured in the following tracks:
* 001 - Title
* 153 - Do You Remember? - the track is similar to '''Title''', but features arpeggios played by the left hand
* 154 - Playing Forever - the motif is heard played as a waltz in the last thirty seconds of this track
* 167 - Remembrance - the motif is played on solo violin
* 172 - DUET - the motif is heard in its most expanded form, as a waltz played by piano and violin
* 176 - The Truth - the track begins with the first four notes of the motif

== Chord Structure ==
C major (second inversion), C sharp diminished (second inversion), D minor (second inversion), A major seven, G major, C major.
Roman numerals: I6/5, #I6/5(borrowed chord), ii6/5, VI7(borrowed chord), V, I.

== Musical analysis ==
The two starting notes is a major sixth. This interval is widely used to convey lyrical and passionate themes in music with examples ranging from ''Star Wars (Leia's theme)'', ''Chopin's Nocturne Op.9 No.2 in E-flat major'' as well as ''Claude Debussy's Clair De Lune''. 
It is often referred to as ''The interval of yearning'' and is often associated with childlike joy and innocence. While there may be different interpretations it is generally agreed it sounds sweet and pleasant.

Soundtrack

2025-12-19T23:11:06Z

Hexagondolier: links

The '''soundtrack''' of ''[[OMORI]]'' contains 179 tracks and was composed by Pedro Silva, Jami Lynne and bo en. It was released on December 25, 2020.<ref>https://omori.bandcamp.com/album/omori-ost</ref>

== Track listing ==
{| class="wikitable"
|+
|-
! No. !! Title !! Length
|-
| 1 || [[Title]] || 00:37
|-
| 2 || [[WHITE SPACE (track)|WHITE SPACE]] || 00:41
|-
| 3 || [[Lost At A Sleepover]] || 00:56
|-
| 4 || [[Spaces In-between]] || 00:58
|-
| 5 || [[By Your Side.]] || 01:36
|-
| 6 || Let's Get Together Now! || 01:38
|-
| 7 || [[100 Sunny]] || 01:17
|-
| 8 || [[Trouble Brewing]] || 00:20
|-
| 9 || Push & Shove || 00:39
|-
| 10 || [[So, How'd We Do?]] || 00:19
|-
| 11 || [[It's Okay To Try Again...]] || 00:09
|-
| 12 || [[Trees...]] || 01:58
|-
| 13 || [[A Home For Flowers (Tulip)]] || 01:32
|-
| 14 || Acrophobia || 02:22
|-
| 15 || Tussle Among Trees || 01:10
|-
| 16 || A Place By A Lake || 01:35
|-
| 17 || Forest Chillin' || 01:22
|-
| 18 || [[Poems In The Fog]] || 01:49
|-
| 19 || Space Road 1979 || 01:33
|-
| 20 || See In Your Fantasy || 01:13
|-
| 21 || [[Sugar Star Planetarium]] || 02:14
|-
| 22 || Lost, Then Found! || 01:17
|-
| 23 || THE VENGEANCE OF THOSE FORGOTTEN IN DARKNESS || 01:12
|-
| 24 || Recycling Is A Concept! || 00:15
|-
| 25 || Lovesick - 80,000 Lightyears || 01:15
|-
| 26 || I Will Catch Up! || 01:42
|-
| 27 || Three Bar Logos || 01:13
|-
| 28 || YO DJ PUMP THIS PARTY || 00:20
|-
| 29 || Good For Health, Bad For Imagination || 01:29
|-
| 30 || Snow Forest - A Single Flower Blooms || 02:21
|-
| 31 || White Surf Style 6 || 01:32
|-
| 32 || Stardust Diving || 01:35
|-
| 33 || Oh My God. || 00:26
|-
| 34 || A Rose By Any Other Name... || 00:45
|-
| 35 || Stardust Dusting || 00:38
|-
| 36 || CHAOS ASSEMBLY || 01:05
|-
| 37 || The Elegance of the Mysterious and Distant || 00:36
|-
| 38 || Space Boyfriend's Tape - I Want Nothing More || 00:29
|-
| 39 || Trouble - NEVER/ALWAYS || 01:25
|-
| 40 || You Were Wrong. Go Back. || 01:24
|-
| 41 || Such A Time We Had Together || 00:50
|-
| 42 || Photograph || 00:53
|-
| 43 || Finding Shapes in the Clouds || 01:31
|-
| 44 || Where We Used To Play || 01:44
|-
| 45 || Bargain Bin Boys || 01:01
|-
| 46 || Woof || 00:31
|-
| 47 || Realistic Space Simulation || 01:27
|-
| 48 || Jash Bash || 00:21
|-
| 49 || Jash Bash 2: New Age of Heroes || 00:12
|-
| 50 || Jash Bash 3: Jashpocalypse Infinity || 00:28
|-
| 51 || Clash of Jash || 00:17
|-
| 52 || Take A Load Off || 01:27
|-
| 53 || I Prefer My Pizza 90% Grease || 00:44
|-
| 54 || Fresh...ish... || 01:41
|-
| 55 || High Fructose Headache || 01:07
|-
| 56 || I Think My Dad Shops Here... || 01:35
|-
| 57 || Just Leave Me Alone || 00:41
|-
| 58 || Cram It Wad || 00:22
|-
| 59 || Respite || 01:14
|-
| 60 || It Means Everything. || 01:13
|-
| 61 || See You Tomorrow || 02:18
|-
| 62 || A Home For Flowers (Empty) || 01:16
|-
| 63 || Help Me || 00:39
|-
| 64 || Arachnophobia || 02:31
|-
| 65 || Something, Alone || 00:36
|-
| 66 || Fade || 00:42
|-
| 67 || The Heart of the Desert || 01:49
|-
| 68 || Puddles || 01:54
|-
| 69 || PRANKED. || 01:03
|-
| 70 || An Archaeic Resonance || 00:58
|-
| 71 || 'X' Marks The Spot! || 00:55
|-
| 72 || Those Who Forget History || 00:46
|-
| 73 || Tumbleweeds || 01:44
|-
| 74 || Pyrefly Forest - Cat's Cradle || 04:27
|-
| 75 || Forest Frenzy || 02:09
|-
| 76 || Sweet Paralysis || 01:11
|-
| 77 || Sweetheart's Quest For Hearts || 01:24
|-
| 78 || How...sad! || 01:10
|-
| 79 || How...tragic! || 01:04
|-
| 80 || Eternal Dungeon || 01:24
|-
| 81 || Splintered Sweets In The Castle || 01:24
|-
| 82 || Wandering Rose || 01:53
|-
| 83 || Stationary Rose || 01:37
|-
| 84 || Valour Against All Odds || 00:54
|-
| 85 || I Definitely Promised You A Rose Garden || 01:57
|-
| 86 || World's End Valentine || 02:27
|-
| 87 || I Just Love The 50s!!! || 01:17
|-
| 88 || Lost Library || 01:15
|-
| 89 || Bookcase || 00:19
|-
| 90 || Thrifted Tchotchkes || 01:29
|-
| 91 || [[Swirly 1000x]] || 02:05
|-
| 92 || [[Dear Little Brother...]] || 01:13
|-
| 93 || Thalassophobia || 02:22
|-
| 94 || Water || 00:19
|-
| 95 || Hanging With The Boys || 02:19
|-
| 96 || [[WHITE SPACE (096)|WHITE SPACE]] || 01:01
|-
| 97 || Origin || 00:48
|-
| 98 || Long Way Down... || 01:25
|-
| 99 || The Last Resort || 01:40
|-
| 100 || Not-So-Empty-House || 00:54
|-
| 101 || It's A Ghost Dance || 00:42
|-
| 102 || Room For 4 || 01:35
|-
| 103 || Gator Gambol || 01:29
|-
| 104 || Clams Clams Clams || 01:08
|-
| 105 || Jawbreaker || 01:25
|-
| 106 || GOLDENVENGEANCE || 02:29
|-
| 107 || Underwater Highway || 01:34
|-
| 108 || Squall || 01:23
|-
| 109 || Aquifer || 03:45
|-
| 110 || Numbers || 02:56
|-
| 111 || Sinking || 03:25
|-
| 112 || H20:HCL || 01:58
|-
| 113 || Chemistry On And On || 01:21
|-
| 114 || But I Wanna See It All With You! || 00:57
|-
| 115 || Grimey || 01:15
|-
| 116 || Underwater Prom Queens || 02:07
|-
| 117 || Whale Whale Whale || 01:13
|-
| 118 || Swallow Hollow || 00:56
|-
| 119 || Gross... || 00:25
|-
| 120 || That One Song But It's Some Mermaids || 00:20
|-
| 121 || Undertow || 03:22
|-
| 122 || [[WHITE SPACE (122)|WHITE SPACE]] || 00:59
|-
| 123 || Fermentation Disorientation || 01:18
|-
| 124 || Flouring With You || 01:17
|-
| 125 || BREADY STEADY GO || 02:05
|-
| 126 || Recyling Really Is A Concept || 01:23
|-
| 127 || Remember To Be Patient || 01:39
|-
| 128 || Cold! || 01:06
|-
| 129 || You Cannot Go Back || 02:43
|-
| 130 || Tee-hee Time || 01:44
|-
| 131 || Welcome Again. || 00:44
|-
| 132 || Fleur || 01:07
|-
| 133 || Distance || 00:37
|-
| 134 || Drone || 00:31
|-
| 135 || Calm || 00:41
|-
| 136 || Glade || 00:59
|-
| 137 || 56-12-2 || 01:21
|-
| 138 || Bloom || 00:57
|-
| 139 || August/Water || 01:43
|-
| 140 || 5ths || 01:31
|-
| 141 || Waiting For... || 00:40
|-
| 142 || Nawa || 01:35
|-
| 143 || White Pillars || 03:02
|-
| 144 || Come and See || 02:22
|-
| 145 || [[Friends.]] || 00:58
|-
| 146 || [[Friendsssssss.]] || 00:14
|-
| 147 || Orchard || 01:02
|-
| 148 || Temple || 02:15
|-
| 149 || Look || 00:47
|-
| 150 || [[Bad Morning]] || 00:37
|-
| 151 || Listening || 01:10
|-
| 152 || A Red Shape || 00:26
|-
| 153 || Do You Remember? || 00:36
|-
| 154 || [[Playing Forever]] || 01:43
|-
| 155 || Treehouse - Here We Are, Together Again || 01:18
|-
| 156 || Save || 00:41
|-
| 157 || Something || 01:30
|-
| 158 || A Home For Flowers (Daisy) || 01:19
|-
| 159 || Remina || 01:12
|-
| 160 || Normal. || 00:35
|-
| 161 || Your Catastrophes || 00:45
|-
| 162 || Your Catastrophes - Procession || 01:32
|-
| 163 || Crossroads || 02:09
|-
| 164 || The Violin || 00:21
|-
| 165 || A Home For Flowers (Sunflower) || 01:24
|-
| 166 || You Must Carry On. || 01:44
|-
| 167 || Remembrance. || 00:27
|-
| 168 || OMORI || 04:13
|-
| 169 || OMORI - ALTER || 01:26
|-
| 170 || Try Again Little Brother || 00:17
|-
| 171 || Persevere || 00:27
|-
| 172 || DUET || 02:12
|-
| 173 || Gone || 00:27
|-
| 174 || Wake Up || 00:36
|-
| 175 || Clean Slate || 00:59
|-
| 176 || [[The Truth]] || 00:11
|-
| 177 || [[Good Morning]] || 01:48
|-
| 178 || [[My Time]] || 03:33
|-
| 179 || [[Fin]] ||00:21
|}

== References ==

[[Category:Music]]

File:Bad ending credits.png

2025-09-05T13:09:35Z

Hexagondolier:

== Licensing ==
{{ExtractOMORI}}

A Home For Flowers (Tulip)

2025-09-05T07:56:02Z

Hexagondolier:

{{Stub}}
{{Music infobox
| image =
| size = 270px
| track-no = 13
| length = 1:32
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=u2xW23u4qEY OMORI OST on YouTube]</ref>
| bpm = 116
| key = G major
| time-signature = 4/4
| file-name = room_peaceful.ogg
}}
'''{{PAGENAME}}''' is the 13th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in [[Basil|Basil's]] house in [[Headspace]] while visiting it for the first time.

== Musical description ==
A Home For Flowers (Tulip) is the first appearance of Basil's theme. The track starts with an eight-bar introduction with a distinctive arpeggio pattern before the main melody begins, which is played with an atmospheric piano sound. The melody is later taken over by a bell-like, percussive lead synth. It is in G major, but does not sound like it due to the almost complete absence of any major chords. The chords and melody are played with a syncopated rhythm.

== Analysis ==
The harmony primarily consists of seventh chords with missing thirds, meaning they are neither major nor minor, creating a hollow, tense sound, which adds to the melancholic atmosphere of the music, and leads to an ambiguous sense of tonality. The melody is continuous and unbroken, going on without any exact repeats or ever resolving, creating a wistful feeling.

== Motifs ==
A Home For Flowers is Basil's theme and has three other versions in the game:
* [[A Home For Flowers (Empty)]] - a plucked version that plays in Basil's home in Faraway Town.
* [[A Home For Flowers (Daisy)]] - a piano version that plays in the meadow in Black Space before learning the truth.
* [[A Home For Flowers (Sunflower)]] - a mellow synth version that plays during the memory of Basil's birthday party on [[Memory Lane]].
The theme also makes an appearance in [[Bookcase]], which plays during the cutscene of Basil in the Lost Library.

== Trivia ==
* The tulip is the flower that Basil associates with [[Omori]].

== References ==

[[Category:Music]]

Friendsssssss.

2025-09-04T16:55:39Z

Hexagondolier: Created page with "{{Stub}} {{Music infobox | image = MirrorArea.png | size = 270px | track-no = 146 | length = 0:14 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=Ybn__4TMGYQ OMORI OST on YouTube]</ref> | bpm = 46 (approx.) | key = D♭ major<ref>The distorted Lost At A Sleepover melody is played in the same key as the original.</ref> | time-signature = 3/4 | file-name = bs_friend2.ogg }} '''{{PAGENAME}}''' is the 146th track in the official soundtrack of ''OMORI (game)..."

{{Stub}}
{{Music infobox
| image = MirrorArea.png
| size = 270px
| track-no = 146
| length = 0:14
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=Ybn__4TMGYQ OMORI OST on YouTube]</ref>
| bpm = 46 (approx.)
| key = D♭ major<ref>The distorted Lost At A Sleepover melody is played in the same key as the original.</ref>
| time-signature = 3/4
| file-name = bs_friend2.ogg
}}
'''{{PAGENAME}}''' is the 146th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in the [[Mirror Area]] of [[Black Space]].

== Musical description ==
The track features a stuttering, whining noise overlaid with a heavily distorted version of [[Lost At A Sleepover]]. The melody is played in reverse, with several off-key notes and an irregular rhythm.

== Motifs ==
It features the melody from Lost At A Sleepover. In Black Space, the melody is heard again in [[Friends.]].

== Trivia ==
* The version in the soundtrack is a shorter version of the music that appears in-game, which is over two minutes long.

== References ==

[[Category:Music]]

Friends.

2025-09-04T16:05:46Z

Hexagondolier: Created page with "{{Stub}} {{Music infobox | image = NeighborArea.png | size = 270px | track-no = 145 | length = 0:58 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=FT4cMYqiOng OMORI OST on YouTube]</ref> | bpm = 100 | key = D♭ major | time-signature = 3/4 | file-name = bs_friend1.ogg }} '''{{PAGENAME}}''' is the 145th track in the official soundtrack of ''OMORI''. It plays in the Neighbor Area of Black Space after seeing Hero for the first..."

{{Stub}}
{{Music infobox
| image = NeighborArea.png
| size = 270px
| track-no = 145
| length = 0:58
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=FT4cMYqiOng OMORI OST on YouTube]</ref>
| bpm = 100
| key = D♭ major
| time-signature = 3/4
| file-name = bs_friend1.ogg
}}
'''{{PAGENAME}}''' is the 145th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in the [[Neighbor Area]] of [[Black Space]] after seeing [[Hero]] for the first time, before which [[Lost At A Sleepover]] plays.

== Musical description ==
The track is similar to Lost At A Sleepover, but with changes towards the end of each iteration of the main melody. These include the final beat taking twice as long to play, the final bar being heavily distorted, a beat being skipped and the main melody being detuned. Other than those changes, there are also small fluctuations in tempo. It is also faster than Lost At A Sleepover by two beats per minute.

== Motifs ==
''Friends.'' is an altered version of Lost At A Sleepover. [[Friendsssssss.]] is another distorted version that plays in Black Space.

== Trivia ==
*

== References ==

[[Category:Music]]

Poems In The Fog

2025-09-04T14:30:45Z

Hexagondolier: added trivia section

{{Stub}}
{{Music infobox
| image =
| size = 250px
| track-no = 18
| length = 1:49
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=LhANeyMTs0w OMORI OST on YouTube]</ref>
| bpm = avg. 102
| key = F major
| time-signature = 3/4
| file-name = vf_pinwheel.ogg
}}
'''Poems In The Fog''' is the 18th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in [[Vast_Forest#Pinwheel_Forest|Pinwheel Forest]].

== Musical description ==
The track features a guitar playing arpeggios, with a gentle melody comprised mostly of dotted half notes, that is first played by an atmospheric lead synth, and then by a guitar with a tremolo. The chord sequence progresses through some non-diatonic harmony but returns to the home key of F major at the end of the track. The track is overall in 3/4, but slips into 4/4 at certain points.

== Analysis ==
The fluctuations in rhythm of the quavers in the guitar accompaniment and the mixed meter help to create an off-balance feeling, which coheres with it being played on a windy patch of land suspended in the sky. The chromaticism and chords borrowed from the parallel minor also serve to add a wistful quality to the music.

== Trivia ==
* The unsteady tempo was inspired by the save room music in Resident Evil 1<ref>[https://web.archive.org/web/20250525084514/https://sites.google.com/view/ironinvoker47/special/interview-w-pedro-silva Interview with Pedro Silva]</ref>.

== References ==

[[Category:Music]]

My Time

2025-09-04T14:20:47Z

Hexagondolier: changed lyrics display

{{Music infobox
| image = Bad ending credits.png
| size = 270px
| track-no = 178
| length = 3:33
| author = bo en<ref>[https://www.youtube.com/watch?v=mzgYj_qCHLg OMORI OST on YouTube]</ref>
| bpm = 202
| key =
| time-signature = 3/4
| file-name = My_Time_Full(SpedUp).ogg
}}
'''{{PAGENAME}}''' is the 178th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. A shortened version of it plays during the credits of the [[Endings#True route#Bad ending|bad ending]]. The song was originally released by bo en in his 2013 album [https://boen.bandcamp.com/album/pale-machine-maru-123 pale machine].

== Lyrics ==
{|
|+
!English & Japanese
! style="padding-left: 3em;" |Translation<ref>[https://genius.com/Genius-english-translations-bo-en-my-time-english-translation-lyrics Genius English Translations]</ref>
! style="padding-left: 3em;" |Romanisation<ref>[https://genius.com/Genius-romanizations-bo-en-my-time-romanized-lyrics Genius Romanizations]</ref>
|-
|'''Verse 1'''
|
|style="padding-left: 3em;" |'''Verse 1'''
|-
|Close your eyes, you'll be here soon
|
|style="padding-left: 3em;" |Close your eyes, you'll be here soon
|-
|一二三四五分
| style="padding-left: 3em;" |One, two, three, four, five minutes
| style="padding-left: 3em;" |Ichi ni san shi go fun
|-
|時々本当に寝たい
| style="padding-left: 3em;" |Sometimes, I really want to sleep
| style="padding-left: 3em;" |Tokidoki, hontou ni netai
|-
|でもこのワードできない
| style="padding-left: 3em;" |But I cannot
| style="padding-left: 3em;" |Demo, kono waado dekinai
|-
|
|
|
|-
|'''Pre-chorus'''
|
| style="padding-left: 3em;" |'''Pre-chorus'''
|-
|おやすみ
| style="padding-left: 3em;" |Goodnight
| style="padding-left: 3em;" |Oyasumi
|-
|おやすみ
| style="padding-left: 3em;" |Goodnight
| style="padding-left: 3em;" |Oyasumi
|-
|おやすみ
| style="padding-left: 3em;" |Goodnight
| style="padding-left: 3em;" |Oyasumi
|-
|おやすみ
| style="padding-left: 3em;" |Goodnight
| style="padding-left: 3em;" |Oyasumi
|-
|
|-
|'''Chorus'''
|
| style="padding-left: 3em;" |'''Chorus'''
|-
|おやすみおやすみ
| style="padding-left: 3em;" |Goodnight, goodnight
| style="padding-left: 3em;" |Oyasumi, oyasumi
|-
|Close your eyes and you'll leave this dream
|
|style="padding-left: 3em;" |Close your eyes and you'll leave this dream
|-
|おやすみおやすみ
| style="padding-left: 3em;" |Goodnight, goodnight
| style="padding-left: 3em;" |Oyasumi, oyasumi
|-
|I know that it's hard to do
|
|style="padding-left: 3em;" |I know that it's hard to do
|-
|
|-
|'''Verse 2'''
|
|style="padding-left: 3em;" |'''Verse 2'''
|-
|Days go by
|
|style="padding-left: 3em;" |Days go by
|-
|しょうがない
|style="padding-left: 3em;" |It can't be helped
|style="padding-left: 3em;" |Shou ga nai
|-
|Moments pass
|
|style="padding-left: 3em;" |Moments pass
|-
|Shattered glass
|
|style="padding-left: 3em;" |Shattered glass
|-
|Hands of time
|
|style="padding-left: 3em;" |Hands of time
|-
|Where's that chime?
|
|style="padding-left: 3em;" |Where's that chime?
|-
|In my head
|
| style="padding-left: 3em;" |In my head
|-
|I'll just
|
| style="padding-left: 3em;" |I'll just
|-
|I'll just
|
| style="padding-left: 3em;" |I'll just
|-
|I'll just
|
| style="padding-left: 3em;" |I'll just
|-
|I'll just
|
| style="padding-left: 3em;" |I'll just
|-
|
|-
|'''Verse 3'''
|
| style="padding-left: 3em;" |'''Verse 3'''
|-
|Hands of time will wring my neck
|
| style="padding-left: 3em;" |Hands of time will wring my neck
|-
|Every little moment spells regret
|
| style="padding-left: 3em;" |Every little moment spells regret
|-
|But I don't have to feel this way
|
| style="padding-left: 3em;" |But I don't have to feel this way
|-
|As a voice inside my head
|
| style="padding-left: 3em;" |As a voice inside my head
|-
|
|-
|'''Pre-chorus'''
|
| style="padding-left: 3em;" |'''Pre-chorus'''
|-
|おやすみ
| style="padding-left: 3em;" |Goodnight
| style="padding-left: 3em;" |Oyasumi
|-
|おやすみ
| style="padding-left: 3em;" |Goodnight
| style="padding-left: 3em;" |Oyasumi
|-
|おやすみ
| style="padding-left: 3em;" |Goodnight
| style="padding-left: 3em;" |Oyasumi
|-
|おやすみ
| style="padding-left: 3em;" |Goodnight
| style="padding-left: 3em;" |Oyasumi
|-
|
|-
|'''Chorus'''
|
| style="padding-left: 3em;" |'''Chorus'''
|-
|おやすみおやすみ
| style="padding-left: 3em;" |Goodnight, goodnight
| style="padding-left: 3em;" |Oyasumi, oyasumi
|-
|Close your eyes and you'll leave this dream
|
| style="padding-left: 3em;" |Close your eyes and you'll leave this dream
|-
|おやすみおやすみ
| style="padding-left: 3em;" |Goodnight, goodnight
| style="padding-left: 3em;" |Oyasumi, oyasumi
|-
|I know that it's hard to do
|
| style="padding-left: 3em;" |I know that it's hard to do
|-
|
|-
|'''Interlude'''
|
| style="padding-left: 3em;" |'''Interlude'''
|-
|Hey!
|
| style="padding-left: 3em;" |Hey!
|-
|Hey!
|
| style="padding-left: 3em;" |Hey!
|-
|Hey!
|
| style="padding-left: 3em;" |Hey!
|-
|Hey, hey, hey, hey!
|
| style="padding-left: 3em;" |Hey, hey, hey, hey!
|-
|
|-
|'''Chorus'''
|
| style="padding-left: 3em;" |'''Chorus'''
|-
|おやすみおやすみ
| style="padding-left: 3em;" |Goodnight, goodnight
| style="padding-left: 3em;" |Oyasumi, oyasumi
|-
|Close your eyes and you'll leave this dream
|
| style="padding-left: 3em;" |Close your eyes and you'll leave this dream
|-
|おやすみおやすみ
| style="padding-left: 3em;" |Goodnight, goodnight
| style="padding-left: 3em;" |Oyasumi, oyasumi
|-
|I know that it's hard to do
|
| style="padding-left: 3em;" |I know that it's hard to do
|-
|おやすみおやすみ
| style="padding-left: 3em;" |Goodnight, goodnight
| style="padding-left: 3em;" |Oyasumi, oyasumi
|-
|Close your eyes and you'll leave this dream
|
| style="padding-left: 3em;" |Close your eyes and you'll leave this dream
|-
|おやすみおやすみ
| style="padding-left: 3em;" |Goodnight, goodnight
| style="padding-left: 3em;" |Oyasumi, oyasumi
|-
|I know that it's hard to do
|
| style="padding-left: 3em;" |I know that it's hard to do
|}

== Version differences ==
The pale machine version of My Time plays at 180 BPM, while the OMORI soundtrack version plays at 202 BPM, which makes it higher by one whole tone. The original version also features a strings section at the end of the track after a period of silence, which is not present in either of the game versions. The version of the song that plays in-game is 1 minute and 45 seconds long, which is achieved by transitioning to the interlude after the first chorus, and shortening the interlude and last chorus sections.

== Trivia ==
* The pre-chorus is sung by Utane Uta, the default voicebank in the UTAU vocal synthesiser program.

== References ==

[[Category:Music]]

My Time

2025-09-04T14:01:51Z

Hexagondolier: Created page with "{{Music infobox | image = Bad ending credits.png | size = 270px | track-no = 178 | length = 3:33 | author = bo en<ref>[https://www.youtube.com/watch?v=mzgYj_qCHLg OMORI OST on YouTube]</ref> | bpm = 202 | key = | time-signature = 3/4 | file-name = My_Time_Full(SpedUp).ogg }} '''{{PAGENAME}}''' is the 178th track in the official soundtrack of ''OMORI''. A shortened version of it plays during the credits of the Endings#True route#Bad ending|bad endin..."

{{Music infobox
| image = Bad ending credits.png
| size = 270px
| track-no = 178
| length = 3:33
| author = bo en<ref>[https://www.youtube.com/watch?v=mzgYj_qCHLg OMORI OST on YouTube]</ref>
| bpm = 202
| key =
| time-signature = 3/4
| file-name = My_Time_Full(SpedUp).ogg
}}
'''{{PAGENAME}}''' is the 178th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. A shortened version of it plays during the credits of the [[Endings#True route#Bad ending|bad ending]]. The song was originally released by bo en in his 2013 album [https://boen.bandcamp.com/album/pale-machine-maru-123 pale machine].

== Lyrics ==
{|
|+
|-
! English & Japanese !! style="padding-left: 3em;" | Japanese romanisation<ref>[https://genius.com/Genius-romanizations-bo-en-my-time-romanized-lyrics Genius Romanizations]</ref> !! style="padding-left: 3em;" | Translation<ref>[https://genius.com/Genius-english-translations-bo-en-my-time-english-translation-lyrics Genius English Translations]</ref>
|-
| '''Verse 1''' ||
|-
| Close your eyes, you'll be here soon ||
|-
| 一二三四五分 || style="padding-left: 3em;" | Ichi ni san shi go fun || style="padding-left: 3em;" | One, two, three, four, five minutes ||
|-
| 時々本当に寝たい || style="padding-left: 3em;" | Tokidoki, hontou ni netai || style="padding-left: 3em;" | Sometimes, I really want to sleep ||
|-
| でもこのワードできない || style="padding-left: 3em;" | Demo, kono waado dekinai || style="padding-left: 3em;" | But I cannot ||
|-
| 
|-
| '''Pre-chorus''' ||
|-
| おやすみ || style="padding-left: 3em;" | Oyasumi || style="padding-left: 3em;" | Goodnight ||
|-
| おやすみ || style="padding-left: 3em;" | Oyasumi || style="padding-left: 3em;" | Goodnight ||
|-
| おやすみ || style="padding-left: 3em;" | Oyasumi || style="padding-left: 3em;" | Goodnight ||
|-
| おやすみ || style="padding-left: 3em;" | Oyasumi || style="padding-left: 3em;" | Goodnight ||
|-
| 
|-
| '''Chorus''' ||
|-
| おやすみおやすみ || style="padding-left: 3em;" | Oyasumi, oyasumi || style="padding-left: 3em;" | Goodnight, goodnight ||
|-
| Close your eyes and you'll leave this dream ||
|-
| おやすみおやすみ || style="padding-left: 3em;" | Oyasumi, oyasumi || style="padding-left: 3em;" | Goodnight, goodnight ||
|-
| I know that it's hard to do ||
|-
| 
|-
| '''Verse 2''' ||
|-
| Days go by ||
|-
| しょうがない || style="padding-left: 3em;" | Shou ga nai || style="padding-left: 3em;" | It can't be helped ||
|-
| Moments pass ||
|-
| Shattered glass ||
|-
| Hands of time ||
|-
| Where's that chime? ||
|-
| In my head ||
|-
| I'll just ||
|-
| I'll just ||
|-
| I'll just ||
|-
| I'll just ||
|-
| 
|-
| '''Verse 3''' ||
|-
| Hands of time will wring my neck ||
|-
| Every little moment spells regret ||
|-
| But I don't have to feel this way ||
|-
| As a voice inside my head ||
|-
| 
|-
| '''Pre-chorus''' ||
|-
| おやすみ || style="padding-left: 3em;" | Oyasumi || style="padding-left: 3em;" | Goodnight ||
|-
| おやすみ || style="padding-left: 3em;" | Oyasumi || style="padding-left: 3em;" | Goodnight ||
|-
| おやすみ || style="padding-left: 3em;" | Oyasumi || style="padding-left: 3em;" | Goodnight ||
|-
| おやすみ || style="padding-left: 3em;" | Oyasumi || style="padding-left: 3em;" | Goodnight ||
|-
| 
|-
| '''Chorus''' ||
|-
| おやすみおやすみ || style="padding-left: 3em;" | Oyasumi, oyasumi || style="padding-left: 3em;" | Goodnight, goodnight ||
|-
| Close your eyes and you'll leave this dream ||
|-
| おやすみおやすみ || style="padding-left: 3em;" | Oyasumi, oyasumi || style="padding-left: 3em;" | Goodnight, goodnight ||
|-
| I know that it's hard to do ||
|-
| 
|-
| '''Interlude'''
|-
| Hey!
|-
| Hey!
|-
| Hey!
|-
| Hey, hey, hey, hey!
|-
| 
|-
| '''Chorus'''
|-
| おやすみおやすみ || style="padding-left: 3em;" | Oyasumi, oyasumi || style="padding-left: 3em;" | Goodnight, goodnight ||
|-
| Close your eyes and you'll leave this dream ||
|-
| おやすみおやすみ || style="padding-left: 3em;" | Oyasumi, oyasumi || style="padding-left: 3em;" | Goodnight, goodnight ||
|-
| I know that it's hard to do ||
|-
| おやすみおやすみ || style="padding-left: 3em;" | Oyasumi, oyasumi || style="padding-left: 3em;" | Goodnight, goodnight ||
|-
| Close your eyes and you'll leave this dream ||
|-
| おやすみおやすみ || style="padding-left: 3em;" | Oyasumi, oyasumi || style="padding-left: 3em;" | Goodnight, goodnight ||
|-
| I know that it's hard to do ||
|}

== Version differences ==
The pale machine version of My Time plays at 180 BPM, while the OMORI soundtrack version plays at 202 BPM, which makes it higher by one whole tone. The original version also features a strings section at the end of the track after a period of silence, which is not present in either of the game versions. The version of the song that plays in-game is 1 minute and 45 seconds long, which is achieved by transitioning to the interlude after the first chorus, and shortening the interlude and last chorus sections.

== Trivia ==
* The pre-chorus is sung by Utane Uta, the default voicebank in the UTAU vocal synthesiser program.

== References ==

[[Category:Music]]

Soundtrack

2025-09-02T08:43:30Z

Hexagondolier: put in some links

The '''soundtrack''' of ''[[OMORI]]'' contains 179 tracks and was composed by Pedro Silva, Jami Lynne and bo en. It was released on December 25, 2020.<ref>https://omori.bandcamp.com/album/omori-ost</ref>

== Track listing ==
{| class="wikitable"
|+
|-
! No. !! Title !! Length
|-
| 1 || [[Title]] || 00:37
|-
| 2 || [[WHITE SPACE (track)|WHITE SPACE]] || 00:41
|-
| 3 || [[Lost At A Sleepover]] || 00:56
|-
| 4 || [[Spaces In-between]] || 00:58
|-
| 5 || [[By Your Side.]] || 01:36
|-
| 6 || Let's Get Together Now! || 01:38
|-
| 7 || [[100 Sunny]] || 01:17
|-
| 8 || [[Trouble Brewing]] || 00:20
|-
| 9 || Push & Shove || 00:39
|-
| 10 || [[So, How'd We Do?]] || 00:19
|-
| 11 || [[It's Okay To Try Again...]] || 00:09
|-
| 12 || [[Trees...]] || 01:58
|-
| 13 || [[A Home For Flowers (Tulip)]] || 01:32
|-
| 14 || Acrophobia || 02:22
|-
| 15 || Tussle Among Trees || 01:10
|-
| 16 || A Place By A Lake || 01:35
|-
| 17 || Forest Chillin' || 01:22
|-
| 18 || [[Poems In The Fog]] || 01:49
|-
| 19 || Space Road 1979 || 01:33
|-
| 20 || See In Your Fantasy || 01:13
|-
| 21 || [[Sugar Star Planetarium]] || 02:14
|-
| 22 || Lost, Then Found! || 01:17
|-
| 23 || THE VENGEANCE OF THOSE FORGOTTEN IN DARKNESS || 01:12
|-
| 24 || Recycling Is A Concept! || 00:15
|-
| 25 || Lovesick - 80,000 Lightyears || 01:15
|-
| 26 || I Will Catch Up! || 01:42
|-
| 27 || Three Bar Logos || 01:13
|-
| 28 || YO DJ PUMP THIS PARTY || 00:20
|-
| 29 || Good For Health, Bad For Imagination || 01:29
|-
| 30 || Snow Forest - A Single Flower Blooms || 02:21
|-
| 31 || White Surf Style 6 || 01:32
|-
| 32 || Stardust Diving || 01:35
|-
| 33 || Oh My God. || 00:26
|-
| 34 || A Rose By Any Other Name... || 00:45
|-
| 35 || Stardust Dusting || 00:38
|-
| 36 || CHAOS ASSEMBLY || 01:05
|-
| 37 || The Elegance of the Mysterious and Distant || 00:36
|-
| 38 || Space Boyfriend's Tape - I Want Nothing More || 00:29
|-
| 39 || Trouble - NEVER/ALWAYS || 01:25
|-
| 40 || You Were Wrong. Go Back. || 01:24
|-
| 41 || Such A Time We Had Together || 00:50
|-
| 42 || Photograph || 00:53
|-
| 43 || Finding Shapes in the Clouds || 01:31
|-
| 44 || Where We Used To Play || 01:44
|-
| 45 || Bargain Bin Boys || 01:01
|-
| 46 || Woof || 00:31
|-
| 47 || Realistic Space Simulation || 01:27
|-
| 48 || Jash Bash || 00:21
|-
| 49 || Jash Bash 2: New Age of Heroes || 00:12
|-
| 50 || Jash Bash 3: Jashpocalypse Infinity || 00:28
|-
| 51 || Clash of Jash || 00:17
|-
| 52 || Take A Load Off || 01:27
|-
| 53 || I Prefer My Pizza 90% Grease || 00:44
|-
| 54 || Fresh...ish... || 01:41
|-
| 55 || High Fructose Headache || 01:07
|-
| 56 || I Think My Dad Shops Here... || 01:35
|-
| 57 || Just Leave Me Alone || 00:41
|-
| 58 || Cram It Wad || 00:22
|-
| 59 || Respite || 01:14
|-
| 60 || It Means Everything. || 01:13
|-
| 61 || See You Tomorrow || 02:18
|-
| 62 || A Home For Flowers (Empty) || 01:16
|-
| 63 || Help Me || 00:39
|-
| 64 || Arachnophobia || 02:31
|-
| 65 || Something, Alone || 00:36
|-
| 66 || Fade || 00:42
|-
| 67 || The Heart of the Desert || 01:49
|-
| 68 || Puddles || 01:54
|-
| 69 || PRANKED. || 01:03
|-
| 70 || An Archaeic Resonance || 00:58
|-
| 71 || 'X' Marks The Spot! || 00:55
|-
| 72 || Those Who Forget History || 00:46
|-
| 73 || Tumbleweeds || 01:44
|-
| 74 || Pyrefly Forest - Cat's Cradle || 04:27
|-
| 75 || Forest Frenzy || 02:09
|-
| 76 || Sweet Paralysis || 01:11
|-
| 77 || Sweetheart's Quest For Hearts || 01:24
|-
| 78 || How...sad! || 01:10
|-
| 79 || How...tragic! || 01:04
|-
| 80 || Eternal Dungeon || 01:24
|-
| 81 || Splintered Sweets In The Castle || 01:24
|-
| 82 || Wandering Rose || 01:53
|-
| 83 || Stationary Rose || 01:37
|-
| 84 || Valour Against All Odds || 00:54
|-
| 85 || I Definitely Promised You A Rose Garden || 01:57
|-
| 86 || World's End Valentine || 02:27
|-
| 87 || I Just Love The 50s!!! || 01:17
|-
| 88 || Lost Library || 01:15
|-
| 89 || Bookcase || 00:19
|-
| 90 || Thrifted Tchotchkes || 01:29
|-
| 91 || Swirly 1000x || 02:05
|-
| 92 || [[Dear Little Brother...]] || 01:13
|-
| 93 || Thalassophobia || 02:22
|-
| 94 || Water || 00:19
|-
| 95 || Hanging With The Boys || 02:19
|-
| 96 || [[WHITE SPACE (096)|WHITE SPACE]] || 01:01
|-
| 97 || Origin || 00:48
|-
| 98 || Long Way Down... || 01:25
|-
| 99 || The Last Resort || 01:40
|-
| 100 || Not-So-Empty-House || 00:54
|-
| 101 || It's A Ghost Dance || 00:42
|-
| 102 || Room For 4 || 01:35
|-
| 103 || Gator Gambol || 01:29
|-
| 104 || Clams Clams Clams || 01:08
|-
| 105 || Jawbreaker || 01:25
|-
| 106 || GOLDENVENGEANCE || 02:29
|-
| 107 || Underwater Highway || 01:34
|-
| 108 || Squall || 01:23
|-
| 109 || Aquifer || 03:45
|-
| 110 || Numbers || 02:56
|-
| 111 || Sinking || 03:25
|-
| 112 || H20:HCL || 01:58
|-
| 113 || Chemistry On And On || 01:21
|-
| 114 || But I Wanna See It All With You! || 00:57
|-
| 115 || Grimey || 01:15
|-
| 116 || Underwater Prom Queens || 02:07
|-
| 117 || Whale Whale Whale || 01:13
|-
| 118 || Swallow Hollow || 00:56
|-
| 119 || Gross... || 00:25
|-
| 120 || That One Song But It's Some Mermaids || 00:20
|-
| 121 || Undertow || 03:22
|-
| 122 || [[WHITE SPACE (122)|WHITE SPACE]] || 00:59
|-
| 123 || Fermentation Disorientation || 01:18
|-
| 124 || Flouring With You || 01:17
|-
| 125 || BREADY STEADY GO || 02:05
|-
| 126 || Recyling Really Is A Concept || 01:23
|-
| 127 || Remember To Be Patient || 01:39
|-
| 128 || Cold! || 01:06
|-
| 129 || You Cannot Go Back || 02:43
|-
| 130 || Tee-hee Time || 01:44
|-
| 131 || Welcome Again. || 00:44
|-
| 132 || Fleur || 01:07
|-
| 133 || Distance || 00:37
|-
| 134 || Drone || 00:31
|-
| 135 || Calm || 00:41
|-
| 136 || Glade || 00:59
|-
| 137 || 56-12-2 || 01:21
|-
| 138 || Bloom || 00:57
|-
| 139 || August/Water || 01:43
|-
| 140 || 5ths || 01:31
|-
| 141 || Waiting For... || 00:40
|-
| 142 || Nawa || 01:35
|-
| 143 || White Pillars || 03:02
|-
| 144 || Come and See || 02:22
|-
| 145 || Friends. || 00:58
|-
| 146 || Friendsssssss. || 00:14
|-
| 147 || Orchard || 01:02
|-
| 148 || Temple || 02:15
|-
| 149 || Look || 00:47
|-
| 150 || [[Bad Morning]] || 00:37
|-
| 151 || Listening || 01:10
|-
| 152 || A Red Shape || 00:26
|-
| 153 || Do You Remember? || 00:36
|-
| 154 || [[Playing Forever]] || 01:43
|-
| 155 || Treehouse - Here We Are, Together Again || 01:18
|-
| 156 || Save || 00:41
|-
| 157 || Something || 01:30
|-
| 158 || A Home For Flowers (Daisy) || 01:19
|-
| 159 || Remina || 01:12
|-
| 160 || Normal. || 00:35
|-
| 161 || Your Catastrophes || 00:45
|-
| 162 || Your Catastrophes - Procession || 01:32
|-
| 163 || Crossroads || 02:09
|-
| 164 || The Violin || 00:21
|-
| 165 || A Home For Flowers (Sunflower) || 01:24
|-
| 166 || You Must Carry On. || 01:44
|-
| 167 || Remembrance. || 00:27
|-
| 168 || OMORI || 04:13
|-
| 169 || OMORI - ALTER || 01:26
|-
| 170 || Try Again Little Brother || 00:17
|-
| 171 || Persevere || 00:27
|-
| 172 || DUET || 02:12
|-
| 173 || Gone || 00:27
|-
| 174 || Wake Up || 00:36
|-
| 175 || Clean Slate || 00:59
|-
| 176 || [[The Truth]] || 00:11
|-
| 177 || [[Good Morning]] || 01:48
|-
| 178 || My Time || 03:33
|-
| 179 || [[Fin]] ||00:21
|}

== References ==

[[Category:Music]]

File:Neighbor's Bedroom.png

2025-08-31T11:13:27Z

Hexagondolier:

== Licensing ==
{{ScreenshotOMORI}}

Life Jam Guy

2025-08-31T10:49:22Z

Hexagondolier: added category

Life Jam Guy is an NPC found first in the [[Junkyard]], and other areas, such as in a room at [[Last Resort]]. At his battle in the junkyard, He will approach the party after the treadmils part and will offer free samples of [[Life Jam]]. When entering the fight, he will deal 9999 damage to every single party member, leaving [[Omori]] alive and giving him 4 [[Life Jam]]. After reviving all the party members, the battle will end. Interacting with him again will heal all party member's health.

[[File:Life jam trash.jpg|thumb|Life Jam Guy in the [[Junkyard]]. Screenshot by Nazotime on Youtube. [https://www.youtube.com/watch?v=Kii8XMBGwtU Video Here.]]

[[Category: Characters]]

WHITE SPACE (122)

2025-08-31T10:48:27Z

Hexagondolier: added category

{{Music infobox
| image =
| size = 250px
| track-no = 122
| length = 0:59
| author = Pedro Silva, Jami Lynne<ref>[https://www.youtube.com/watch?v=POMNynMVTk0 OMORI OST on YouTube]</ref>
| bpm = 86
| key = B♭ major
| time-signature = 3/4
| file-name = whitespace_4.ogg
}}
'''WHITE SPACE''' is the 122nd track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays on the [[Routes#True Route|True Route]] while [[Omori]] is in [[White Space]] during the chapter Two Days Left. It is the second and final variation of the music heard in White Space in the game.

== Musical description ==
This piece is very similar to [[WHITE SPACE (002)|WHITE SPACE]] (track 2), with the same melody played in the right hand and same arpeggios played in the left hand, but it is in the key of Bb major and played on piano. It is played about 20% slower.

== Analysis ==
As it appears in the same key as [[WHITE SPACE (096)|WHITE SPACE]] (track 96), and it is played slightly faster and with an even rhythm, it can be interpreted as a more practiced version of that piece. It has a similar melancholic feeling, but the chords are played in root position, which gives it a greater sense of resolution and stability. This is the last piece that plays in White Space before realising [[Sunny#Background|the truth]], and its more confident nature could represent Sunny's increased readiness to face his past, and fully reconcile with his friends.

== Motifs ==
WHITE SPACE is a piano version of [[WHITE SPACE (002)|WHITE SPACE]] (track 2). The White Space motif also appears in the following tracks:
* 11 - [[It's Okay To Try Again...]] - the first two bars follow a similar shape to the motif
* 16 - A Place By A Lake - a shortened version of the White Space motif is heard around halfway through the track
* 96 - [[WHITE SPACE (096)|WHITE SPACE]] - the other piano version of WHITE SPACE
* 131 - Welcome Again. - an off-key version of the motif played monophonically
* 170 - Try Again Little Brother - the first two bars are identical to the White Space motif

== Trivia ==
* Since the player wakes up in [[Neighbor's Room]] on Two Days Left instead of White Space, one must deliberately return to White Space some time between going to the [[Last Resort]] and [[Black Space]] in order to hear this track, since the scenes mandatory for game progression do not feature it.

== References ==

[[Category: Music]]

A Home For Flowers (Tulip)

2025-08-27T16:01:18Z

Hexagondolier:

{{Stub}}
{{Music infobox
| image =
| size = 270px
| track-no = 13
| length = 1:32
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=u2xW23u4qEY OMORI OST on YouTube]</ref>
| bpm = 116
| key = G major
| time-signature = 4/4
| file-name = room_peaceful.ogg
}}
'''{{PAGENAME}}''' is the 13th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in [[Basil|Basil's]] house in [[Headspace]] while visiting it for the first time.

== Musical description ==
A Home For Flowers (Tulip) is the first appearance of Basil's theme, perhaps the most sombre and reflective music heard yet in the game at that point. The track starts with an eight-bar introduction with a distinctive arpeggio pattern before the main melody begins, which is played with an atmospheric piano sound. The melody is later taken over by a bell-like, percussive lead synth. It is in G major, but doesn't sound like it due to the almost complete absence of any major chords. The chords and melody are played with a syncopated rhythm.

== Analysis ==
The harmony primarily consists of seventh chords with missing thirds, meaning they are neither major nor minor, creating a hollow, tense sound, which adds to the melancholic atmosphere of the music, and leads to an ambiguous sense of tonality. The melody is continuous and unbroken, going on without any exact repeats or ever resolving, creating a yearning feeling.

== Motifs ==
A Home For Flowers is Basil's theme and has three other versions in the game:
* [[A Home For Flowers (Empty)]] - a plucked version that plays in Basil's home in Faraway Town.
* [[A Home For Flowers (Daisy)]] - a piano version that plays in the meadow in Black Space before learning the truth.
* [[A Home For Flowers (Sunflower)]] - a mellow synth version that plays during the memory of Basil's birthday party on [[Memory Lane]].
The theme also makes an appearance in Bookcase, which plays during the cutscene of Basil in the Lost Library.

== Trivia ==
* The tulip is the flower that Basil associates with [[Omori]].

== References ==

[[Category:Music]]

A Home For Flowers (Tulip)

2025-08-27T15:59:31Z

Hexagondolier: Created page with "{{Stub}} {{Music infobox | image = | size = 270px | track-no = 13 | length = 1:32 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=u2xW23u4qEY OMORI OST on YouTube]</ref> | bpm = 116 | key = G major | time-signature = 4/4 | file-name = room_peaceful.ogg }} '''{{PAGENAME}}''' is the 13th track in the official soundtrack of ''OMORI''. It plays in Basil's house in Headspace while visiting it for the first time. == Musical des..."

{{Stub}}
{{Music infobox
| image =
| size = 270px
| track-no = 13
| length = 1:32
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=u2xW23u4qEY OMORI OST on YouTube]</ref>
| bpm = 116
| key = G major
| time-signature = 4/4
| file-name = room_peaceful.ogg
}}
'''{{PAGENAME}}''' is the 13th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in [[Basil|Basil's]] house in [[Headspace]] while visiting it for the first time.

== Musical description ==
A Home For Flowers (Tulip) is the first appearance of Basil's theme, perhaps the most sombre and reflective music heard yet in the game at that point. The track starts with an eight-bar introduction with a distinctive arpeggio pattern before the main melody begins, which is played with an atmospheric piano sound. The melody is later taken over by a bell-like, percussive lead synth. It is in G major, but doesn't sound like it due to the almost complete absence of any major chords. The chords and melody are played with a syncopated rhythm.

== Analysis ==
The harmony primarily consists of seventh chords with missing thirds, meaning they are neither major nor minor, creating a hollow, tense sound, which adds to the melancholic atmosphere of the music, and leads to an ambiguous sense of tonality. The melody is continuous and unbroken, going on without any exact repeats or ever resolving, creating a yearning feeling.

== Motifs ==
A Home For Flowers is Basil's theme and has three other versions in the game:
* [[A Home For Flowers (Empty)]] - a guitar/harp version that plays in Basil's home in Faraway Town.
* [[A Home For Flowers (Daisy)]] - a piano version that plays in the meadow in Black Space before learning the truth.
* [[A Home For Flowers (Sunflower)]] - a mellow synth version that plays during the memory of Basil's birthday party on [[Memory Lane]].
The theme also makes an appearance in Bookcase, which plays during the cutscene of Basil in the Lost Library.

== Trivia ==
* The tulip is the flower that Basil associates with [[Omori]].

== References ==

[[Category:Music]]

Fin

2025-08-27T14:18:12Z

Hexagondolier: Created page with "{{Spoiler}}{{Stub}} {{Music infobox | image = Sunny Secret Ending Cutscene.png | size = 270px | track-no = 179 | length = 0:21 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=sAFXxpAvA6o OMORI OST on YouTube]</ref> | bpm = 36 | key = n/a | time-signature = n/a | file-name = cutscene_secret_ending.ogg }} '''{{PAGENAME}}''' is the 179th and final track in the official soundtrack of ''OMORI''. It plays during the secret cutscene during the g..."

{{Spoiler}}{{Stub}}
{{Music infobox
| image = Sunny Secret Ending Cutscene.png
| size = 270px
| track-no = 179
| length = 0:21
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=sAFXxpAvA6o OMORI OST on YouTube]</ref>
| bpm = 36
| key = n/a
| time-signature = n/a
| file-name = cutscene_secret_ending.ogg
}}
'''{{PAGENAME}}''' is the 179th and final track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays during the secret cutscene during the good ending, where [[Sunny]] and [[Basil]] look at each other and smile as their [[Something|Somethings]] disappear.

== Description ==
The track features quiet hospital ambience, including talking, a monitor beeping, doors closing and opening, a bark and a door bell ringing. It is the track with the most realistic soundscape in the game, underscoring how the ending can only be achieved through actively choosing to live in reality.

== Trivia ==
*

== References ==

[[Category:Music]]

File:Sunny Secret Ending Cutscene.png

2025-08-27T14:07:07Z

Hexagondolier:

== Licensing ==
{{ExtractOMORI}}

Playing Forever

2025-08-27T10:37:56Z

Hexagondolier: Created page with "{{Music infobox | image = Neighbor's Bedroom.png | size = 270px | track-no = 154 | length = 1:43 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=M0WsQXD8788 OMORI OST on YouTube]</ref> | bpm = 144 | key = C major | time-signature = 3/4 | file-name = playing_forever.ogg }} '''{{PAGENAME}}''' is the 154th track in the official soundtrack of ''OMORI''. It plays on the Neutral Route in Neighbor's Bedroom. It also..."

{{Music infobox
| image = Neighbor's Bedroom.png
| size = 270px
| track-no = 154
| length = 1:43
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=M0WsQXD8788 OMORI OST on YouTube]</ref>
| bpm = 144
| key = C major
| time-signature = 3/4
| file-name = playing_forever.ogg
}}
'''{{PAGENAME}}''' is the 154th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays on the [[Routes#Neutral Route|Neutral Route]] in [[Neighbor's Bedroom]]. It also plays in [[Sunny|Sunny's]] house after he completes his chores on One Day Left.

== Analysis ==
Playing Forever is a waltz played on music box, which is an instrument associated both with childhood innocence and with horror movies. It is also a relatively superficial instrument, being mostly created as decoration or toy and only able to play simple, predetermined music. It can only play it in the same way every time, making its music feel more inorganic than other instruments. Through this, the music box captures the one-dimensional nature of [[Headspace]], and how artificial everything in it is, which Sunny has chosen to fully embrace at this point in the story.
 
The chord progression features many non-diatonic chords, which often clash with the main melody, creating very dissonant intervals of a minor 9th (an augmented minor 2nd) and a major 7th (the inversion of the minor 2nd), leading to a feeling of uneasiness. However, the C chord is repeated often, except for a short section where Eb is tonicised. The bright, cheery sound of the music box and the sweet, simple melody juxtaposes with the dissonant sound of the "wrong" notes.

== Motifs ==
Towards the end of the track, the Main Motif is heard. This is the only time it appears on the Neutral Route other than on the title screen.

== Trivia ==
* 143, the length of the track, is a recurring number in the game that represents the phrase "I love you" and it associated with [[Mari]].

== References ==

[[Category:Music]]

Title

2025-08-26T18:31:54Z

Hexagondolier: corrected numerical error

{{Stub}}

{{Music infobox
| image = Title Screen.png
| size = 270px
| track-no = 1
| length = 0:37
| author = Pedro Silva (Slime Girls)
| bpm = 56
| key = C major
| time-signature = 4/4
| file-name = user_title.ogg
}}

'''Title''' is the first song in the official soundtrack of ''[[OMORI (Game)|OMORI]]''. 
The track features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). It also borrows chords from various other piano keys. 
The piece has a pickup and is seven measures long. It will keep repeating as long as the game's title screen is open.

== Motif ==
'''Title''' uses the ''Main Motif''. The motif is featured in the following tracks:
* 001 - Title
* 153 - Do You Remember? - the track is similar to '''Title''', but features arpeggios played by the left hand
* 154 - Playing Forever - the motif is heard played as a waltz in the last thirty seconds of this track
* 167 - Remembrance - the motif is played on solo violin
* 172 - DUET - the motif is heard in its most expanded form, as a waltz played by piano and violin
* 176 - The Truth - the track begins with the first four notes of the motif

== Chord Structure ==
C major (second inversion), C sharp diminished (second inversion), D minor (second inversion), A major seven, G major, C major.
Roman numerals: I6/5, #I6/5(borrowed chord), ii6/5, VI7(borrowed chord), V, I.

== Musical analysis ==
The two starting notes is a major sixth. This interval is widely used to convey lyrical and passionate themes in music with examples ranging from ''Star Wars (Leia's theme)'', ''Chopin's Nocturne Op.9 No.2 in E-flat major'' as well as ''Claude Debussy's Clair De Lune''. 
It is often referred to as ''The interval of yearning'' and is often associated with childlike joy and innocence. While there may be different interpretations it is generally agreed it sounds sweet and pleasant.

The Truth

2025-08-26T17:56:05Z

Hexagondolier:

{{Music infobox
| image = The truth (hospital).png
| size = 270px
| track-no = 176
| length = 0:11
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=iwFP8www2CY OMORI OST on YouTube]</ref>
| bpm = irregular
| key = C major
| time-signature = 4/4
| file-name = cutscene_the_truth.ogg
}}
'''{{PAGENAME}}''' is the 176th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in the cutscene during the [[Endings#Good Ending|good ending]] where [[Sunny]] enters [[Basil|Basil's]] hospital room, and prepares to confess the truth to his friends.

== Musical description ==
The track consists of a seven note phrase played on piano with reverb. The melody begins with the Main Motif, but diverges from it when it plays a D instead of the non-diatonic C#, and ends unresolved on a G. The melody is overall high, with a range from G5 to A6. It is played with a lot of rubato. A single chord is played, a C major chord in second inversion.

== Motifs ==
The Truth uses the Main Motif, which is first heard in [[Title]]. It is also heard in full in the following tracks:
* 153 - Do You Remember? - the track is similar to Title, but features arpeggios played by the left hand
* 167 - Remembrance - the motif is played on solo violin
* 172 - DUET - the motif is heard in its most expanded form, as a waltz played by piano and violin

== Analysis ==
Unlike other iterations of the Main Motif, The Truth features no chromaticism, instead changing a note to be in key of C major. The lack of the tension in the melody that the player has come to expect creates a sense of peacefulness and being at rest. Ending the melody on the dominant leads to a feeling of anticipation, which is not resolved. This mirrors how the player only sees the beginning of the confession scene, and what happens afterwards it is left up to their imagination.

== References ==

[[Category:Music]]

The Truth

2025-08-26T17:55:12Z

Hexagondolier: Created page with "{{Music infobox | image = The truth (hospital).png | size = 270px | track-no = 176 | length = 0:11 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=iwFP8www2CY OMORI OST on YouTube]</ref> | bpm = irregular | key = C major | time-signature = 4/4 | file-name = cutscene_the_truth.ogg }} '''{{PAGENAME}}''' is the 176th track in the official soundtrack of ''OMORI''. It plays in the cutscene during the good ending where [..."

{{Music infobox
| image = The truth (hospital).png
| size = 270px
| track-no = 176
| length = 0:11
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=iwFP8www2CY OMORI OST on YouTube]</ref>
| bpm = irregular
| key = C major
| time-signature = 4/4
| file-name = cutscene_the_truth.ogg
}}
'''{{PAGENAME}}''' is the 176th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in the cutscene during the [[Endings#Good Ending|good ending]] where [[Sunny]] enters [[Basil|Basil's]] hospital room, and prepares to confess the truth to his friends.

== Musical description ==
The track consists of a seven note phrase played on piano with reverb. The melody begins with the Main Motif, but diverges from it when it plays a D instead of the non-diatonic C#, and ends unresolved on a G. The melody is played at a high range of the keyboard, with a range from G5 to A6. to It is played with a lot of rubato. A single chord is played, a C major chord in second inversion.

== Motifs ==
The Truth uses the Main Motif, which is first heard in [[Title]]. It is also heard in full in the following tracks:
* 153 - Do You Remember? - the track is similar to Title, but features arpeggios played by the left hand
* 167 - Remembrance - the motif is played on solo violin
* 172 - DUET - the motif is heard in its most expanded form, as a waltz played by piano and violin

== Analysis ==
Unlike other iterations of the Main Motif, The Truth features no chromaticism, instead changing a note to be in key of C major. The lack of the tension in the melody that the player has come to expect creates a sense of peacefulness and being at rest. Ending the melody on the dominant leads to a feeling of anticipation, which is not resolved. This mirrors how the player only sees the beginning of the confession scene, and what happens afterwards it is left up to their imagination.

== References ==

[[Category:Music]]

File:The truth (hospital).png

2025-08-26T16:55:14Z

Hexagondolier:

== Licensing ==
{{ExtractOMORI}}

Dear Little Brother...

2025-08-26T16:38:09Z

Hexagondolier: filled in musical description section

{{Spoiler}}{{Stub}}
{{Music infobox
| image =
| size =
| track-no = 92
| length = 1:13
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=t3b52Z2qtfw OMORI OST on YouTube]</ref>
| bpm = 59
| key = B major
| time-signature = 4/4
| file-name = event_mari_drowning with amb_mari_water
}}
'''Dear Little Brother...''' is the 92nd track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays during the segment with [[Mari]] as a spirit after [[Sunny]] jumps into the lake on the [[Routes#True_Route|True Route]], or falls asleep in the bathtub on the Neutral Route. It also plays after entering [[Black Space]] for the first time, ending when the player reaches Mari's coffin.

== Musical description ==
The track features the melody from [[By Your Side.|By Your Side]] played on piano, overlaid with a soft ambient humming noise. A keyboard-like synth later joins to provide a countermelody. The track is overall quiet and calm.

== Motifs ==
''Dear Little Brother'' features Mari's theme, but uses only the right hand part of By Your Side. It is also played an octave higher and at a much slower tempo.

== References ==

[[Category:Music]]

Tako

2025-08-26T06:45:30Z

Hexagondolier: corrected antlers to tentacles

<div style="font-size:14px">
{{Character infobox
|image=Tako.png
|size=100px
|location=[[Beach Area]]
|role=Beta Character
}}
'''{{PAGENAME}}''' is an NPC in ''[[OMORI (Game)|OMORI]]''. They can be found in the [[Beach Area]] of [[Black Space]] on the [[Routes#Neutral Route|Neutral Route]], after accessing it through the secret entrance at Deep Well on One Day Left.

==Appearance==
Tako is a monochromatic figure with two small tentactles on their head and pigtails similar to the unused sprite of a female version of [[Omori]]. Instead of facial features, they have a question mark on their face. They wear black pants and a shirt with a pattern that resembles a piano keyboard, the inverse of Omori's outfit.

==Story==
Tako, [[Meido]] and [[Uni]] are a set of beta characters who served a major role in the story at one point, but were removed, and left in as easter eggs in Black Space. Upon interacting with Tako in the Beach Area, the screen will fade to blue and they will disappear.

[[Category:Characters]]
</div>

Treehouse Area

2025-08-26T06:36:15Z

Hexagondolier: made Empty Friend link to Uni

[[File:TreehouseArea.png|thumb|right|The Treehouse Area]]
The '''{{PAGENAME}}''', internally called "Construction in the lake", is an optional area in [[Black Space]]. It is always the twelfth area visited.
==Overview==
This area heavily resembles a grayscale version of the construction sites in [[Deep Well]]. There are five platforms in the area, all connected by ladders.

The bottom platform is surrounded by water. The second platform is sparsely populated, only having a bed Omori can take a brief nap on and some trees. The third platform similarly only has a game of hopscotch and a park bench, and the fourth platform is completely empty. On the very top platform, there is a treehouse, with [[Basil]] standing by it. 
Basil will start to follow Omori after he talks to him. While descending back down the area, an elevator will suddenly open up, and Basil will tell Omori to use it to escape from Black Space. The area's key is located inside the elevator. Interacting with the elevator buttons allows Omori to select from a few [[Headspace]] destinations, although the choice is meaningless.

Once a destination is selected and the elevator begins moving, Basil will try to confess something to Omori, but the doors will suddenly open again, cutting him off. 
As the two leave the elevator, Basil will get jammed in the elevator doors, which eventually snap shut, decapitating him. 

After this, red hands will appear around the room to return Omori to Black Space, as usual.

==Treehouse==
Going into the treehouse will show you a heavily distorted version of the treehouse in Sunny's backyard.
Interacting with the various objects will only show you brief, one-word sentences describing the objects, such as "toy". Repeatedly examining them will slowly change the descriptions; for instance, "toy" will eventually turn into "gone," and then "fun" upon repeated examination.

Examining the calendar will eventually result in the text "summer" appearing, suggesting that this room in particular was based on an experience Sunny had shortly after its construction, given the timeframe given in the [[Photo Album]].

==Alternative Entrances==
* On the last day of the [[Endings|Hikikomori route]], the player can interact with the broken elevator on the right of Mr.Jawsum in the [[Last Resort]]. This will teleport Omori into the elevator.

===Differences===
There's a few differences compared to the normal version found. Omori starts out in an elevator. When prompted, the player can only choose to go to Black Space. Backing out of this will bring you to Black Space anyway. 
In the treehouse, the cut beta character "[[Uni|Empty Friend]]" can be found. Upon interacting with it, the screen will distort itself and it'll vanish. 

==Quotes==
Basil: "Ah... Omori! Is it really you? How did you find me?" 
Basil: "Are Kel, Aubrey, and Hero here too? I've missed you all so much!" 
Basil: "I'm glad the treehouse is still standing. Everyone worked really hard to make it together." 
Basil: "Let's go home, Omori." 
Basil: "An elevator? I wonder where it leads to. Maybe it can take us back home!" 
Basil: "A-Actually... while we're in here. Can I share something with you? Omori?" 
Basil: "Hold on, Omori. I... I think I'm stuck." 
Basil: "Could you help me out?" 
Basil: "Hnnn... Gggg... Huahhh... O... mori..."

''All objects in the treehouse clockwise'': 
''Calendar'': cat -> date -> summer 
''Toaster'': toast -> friend -> toast? 
''Face'': toy -> gone -> fun 
''TV'': tv -> kel -> heavy 
''Baseball bat'': game -> cookies -> cards 
''Teddybear'': toy -> gone -> fun 
''???'': toy -> gone -> fun 
''Yoyo'': toy -> gone -> fun 
''Shoes'': toy -> gone -> fun 
''Cookbooks'': book -> blook -> cook 
''Toys on the left'': toy -> gone -> fun 
''Table'': game -> cards -> cookies 

==Notes==
* Even though it doesn't matter what option you choose in the elevator, one can see the ground of the selected area before stepping out. 
* One can nap in the bed.
:* This removes the flying creature that is located just above the bed.
:* The bed's event name in the game files is named "Looping Forest: 270" hinting at a possible (former) connection.
* The elevator will always bring you back to the construction site, no matter what option you choose.
* The tree that holds the treehouse has a white outline.

==Gallery==
<gallery>
Map460.png| This room's full layout.
Map462.png| The interiour of the treehouse.
</gallery>

[[Category:Locations]]

Uni

2025-08-26T06:33:36Z

Hexagondolier: based on Meido

<div style="font-size:14px">
{{Character infobox
|image=Uni.png
|size=100px
|location=[[Treehouse Area]]
|role=Beta Character
}}
'''{{PAGENAME}}''' is an NPC in ''[[OMORI (Game)|OMORI]]''. They can be found inside the treehouse in the [[Treehouse Area]] of [[Black Space]] after accessing it via the elevator in Mr Jawsum's office on One Day Left on the [[Routes#Neutral Route|Neutral Route]].

==Appearance==
Uni is a humanoid figure with a polygonal head that has spikes sticking out of it. They have a large eye in the center of their head. Their body is similar to the body of [[Stranger]], lacking detail, like a silhouette.

==Story==
Uni, [[Meido]] and [[Tako]] are a set of beta characters who served a major role in the story at one point, but were removed, and left in as easter eggs in Black Space. Upon interacting with Uni, the screen will fade to black and abruptly reappear, whereupon Uni will be gone.

==Trivia==
* Uni is also known as Empty Friend.

[[Category:Characters]]
</div>

File:Uni.png

2025-08-26T06:10:09Z

Hexagondolier:

== Licensing ==
{{ExtractOMORI}}

Tako

2025-08-26T06:06:39Z

Hexagondolier: based on Meido's page

<div style="font-size:14px">
{{Character infobox
|image=Tako.png
|size=100px
|location=[[Beach Area]]
|role=Beta Character
}}
'''{{PAGENAME}}''' is an NPC in ''[[OMORI (Game)|OMORI]]''. They can be found in the [[Beach Area]] of [[Black Space]] on the [[Routes#Neutral Route|Neutral Route]], after accessing it through the secret entrance at Deep Well on One Day Left.

==Appearance==
Tako is a monochromatic figure with deer antlers on their head and pigtails similar to the unused sprite of a female version of [[Omori]]. Instead of facial features, they have a question mark on their face. They wear black pants and a shirt with a pattern that resembles a piano keyboard, the inverse of Omori's outfit.

==Story==
Tako, [[Meido]] and [[Uni]] are a set of beta characters who served a major role in the story at one point, but were removed, and left in as easter eggs in Black Space. Upon interacting with Tako in the Beach Area, the screen will fade to blue and they will disappear.

[[Category:Characters]]
</div>

File:Tako.png

2025-08-26T05:52:01Z

Hexagondolier:

== Licensing ==
{{ExtractOMORI}}

File:Meido.png

2025-08-26T04:43:59Z

Hexagondolier:

== Licensing ==
{{ExtractOMORI}}

Good Morning

2025-08-26T03:14:07Z

Hexagondolier: added image size

{{Spoiler}}{{Stub}}
{{Music infobox
| image = Good ending credits.png
| size = 270px
| track-no = 177
| length = 1:48
| author = Jami Lynne<ref>[https://www.youtube.com/watch?v=1yIcUg5FyIs OMORI OST on YouTube]</ref>
| bpm = 90
| key = F major
| time-signature = 4/4
| file-name = Good End Credits Draft 5.webm
}}
'''Good Morning''' is the 177th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays during the credits during the [[Endings#True Route#Good Ending|good ending]]. It is an instrumental track with sing-along lyrics written by [[OMOCAT|Omocat]] displayed on screen.

== Lyrics ==
One more day the sun reaches my bed. 
One more day to spend alone again. 
Morning starts without me. 
I seem to find it hard to wake up. 
 
Steadily my thoughts take hold of me. 
It's hard to stay awake or fall asleep. 
Memories of the past, 
Both the good and the bad 
Overwhelm me. 
 
There's so much I wish I could take back. 
Sometimes I think maybe it's too late. 
Though the pain remains, 
And though it may be hard, 
I'll carry on. 
 
Time to rise and shine. 
Good morning! 
 
So the sun reaches my bed, 
One more day to spend alone again. 
Morning starts without me, 
I seem to find it hard to wake up...

== Musical analysis ==
The harmony stays within the key of F major but features some diminished chords, which adds a bittersweet and nostalgic feeling to the music. However, the track is overall upbeat, with a conjunct melody and a jaunty syncopated accompaniment. The three different synthesiser sounds used in the track to play the melody, a chime-like synth and two more neutral but bright sounding leads, which contribute to the optimistic mood created by the lyrics.

== Motifs ==
[[Bad Morning]] features a slowed down, eerie version of the main melody of Good Morning.

== Trivia ==
* The song was later performed by the OMORI team as part of a fundraiser for Stop AAPI Hate.<ref>[https://www.youtube.com/watch?v=9jYGHwkPe7g bo en and the OMORI Team sing Good Morning]</ref>

== References ==

[[Category:Music]]

File:Good ending credits.png

2025-08-26T03:11:04Z

Hexagondolier:

== Licensing ==
{{ExtractOMORI}}

File:Mr Jawsum.png

2025-08-26T03:04:05Z

Hexagondolier:

== Licensing ==
{{ExtractOMORI}}

Title

2025-08-26T03:00:48Z

Hexagondolier: added image

{{Stub}}

{{Music infobox
| image = Title Screen.png
| size = 270px
| track-no = 1
| length = 0:37
| author = Pedro Silva (Slime Girls)
| bpm = 56
| key = C major
| time-signature = 4/4
| file-name = user_title.ogg
}}

'''Title''' is the first song in the official soundtrack of ''[[OMORI (Game)|OMORI]]''. 
The track features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). It also borrows chords from various other piano keys. 
The piece has a pickup and is seven measures long. It will keep repeating as long as the game's title screen is open.

== Motif ==
'''Title''' uses the ''Main Motif''. The motif is featured in the following tracks:
* 001 - Title
* 153 - Do You Remember? - the track is similar to '''Title''', but features arpeggios played by the left hand
* 154 - Playing Forever - the motif is heard played as a waltz in the last thirty seconds of this track
* 167 - Remembrance - the motif is played on solo violin
* 172 - DUET - the motif is heard in its most expanded form, as a waltz played by piano and violin
* 176 - The Truth - the track begins with the first two notes of the motif

== Chord Structure ==
C major (second inversion), C sharp diminished (second inversion), D minor (second inversion), A major seven, G major, C major.
Roman numerals: I6/5, #I6/5(borrowed chord), ii6/5, VI7(borrowed chord), V, I.

== Musical analysis ==
The two starting notes is a major sixth. This interval is widely used to convey lyrical and passionate themes in music with examples ranging from ''Star Wars (Leia's theme)'', ''Chopin's Nocturne Op.9 No.2 in E-flat major'' as well as ''Claude Debussy's Clair De Lune''. 
It is often referred to as ''The interval of yearning'' and is often associated with childlike joy and innocence. While there may be different interpretations it is generally agreed it sounds sweet and pleasant.

OMORI Wiki:Discussion

2025-08-26T03:00:04Z

Hexagondolier:

__NEWSECTIONLINK__
<div class="theme-generic-light theme-generic-border plainlinks" style="margin:20px 0; padding:15px 20px; font-size:175%; text-align:center;">[{{fullurl:OMORI_Wiki:Discussion|action=edit&section=new}} '''Create a new section''']</div>
__TOC__

== Welcome to the OMORI Wiki Discussion page ==

Hi,

This is the new OMORI Wiki Discussion page. You can use this page to contact staff, ask questions, chat & coordinate with other members, and so on. 
Feel free to respond to this section with any questions or concerns.

Thanks. - [[User:Boba|'''Boba''']] 01:17, 30 January 2022 (CET)

:hello, does anyone here know how to delete a file? i cant figure out how to do so and i have a couple duplicates i would like to get rid of. thank you [[User:BirdWithABat|BirdWithABat]] ([[User talk:BirdWithABat|talk]]) 17:42, 22 August 2023 (CEST)BirdWithABat

== Article formatting ==

I am new to this wiki, does it follow the same rules of formatting as wikipedia? (i.e Neutral Point of View, Reliable Sources and No Original Research) I found the style guide, which was very helpful, but I can't seem to find a formatting guide. [[User:Azsrs|Azsrs]] ([[User talk:Azsrs|talk]]) 21:10, 2 March 2024 (CET)

== Message to wiki moderators ==

Do you have a contact of some sort? Anything to help potentially replace the crappy fandom wiki?
[[User:Softcustomer]] ([[User talk:Softcustomer|talk]]) 17:48, 8 August 2024 (EST)

:Wiki mods can be contacted through the OMORI Discord. - [[User:Boba|'''Boba''']] 20:23, 25 August 2025 (CEST)

== Bosses Strategies ==

hi, can i also explain some boss strategies in their wiki page or something? like adding a strategies section on their wiki page for help players defeat bosses easier.
[[User:Prhamidzadeh]] ([[Usertalk:PrHamidzadeh|talk]]) 14:18, 8 September 2024 (+3:30)

Go for it. - [[User:Boba|'''Boba''']] 20:23, 25 August 2025 (CEST)

== Uploading files ==

Hello, whenever I try to upload a file I get the error message "Could not open lock file for "mwstore://local-backend/local-public/a/a6/(file name)". Make sure your upload directory is configured correctly and your web server has permission to write to that directory. See https://www.mediawiki.org/wiki/Special:MyLanguage/Manual:$wgUploadDirectory for more information." Is this an issue with a website, or with my account?
[[User:Hexagondolier|Hexagondolier]] ([[User talk:Hexagondolier|talk]]) 08:37, 25 August 2025 (CEST)

:Looking into it. - [[User:Boba|'''Boba''']] 20:22, 25 August 2025 (CEST)

::This should be fixed now, from what I just tested. It looks like our images folder had permissions reset when upgrading MediaWiki. It's recursively fixing permissions, so it might take a while to fully work. - [[User:Boba|'''Boba''']] 20:38, 25 August 2025 (CEST)

:::Awesome, thank you! [[User:Hexagondolier|Hexagondolier]] ([[User talk:Hexagondolier|talk]]) 04:59, 26 August 2025 (CEST)

File:Title Screen.png

2025-08-26T02:59:19Z

Hexagondolier:

== Licensing ==
{{ScreenshotOMORI}}

Poems In The Fog

2025-08-25T15:24:08Z

Hexagondolier: Created page with "{{Stub}} {{Music infobox | image = | size = 250px | track-no = 18 | length = 1:49 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=LhANeyMTs0w OMORI OST on YouTube]</ref> | bpm = avg. 102 | key = F major | time-signature = 3/4 | file-name = vf_pinwheel.ogg }} '''Poems In The Fog''' is the 18th track in the official soundtrack of ''OMORI''. It plays in Pinwheel Forest. == Musical description == The track fe..."

Bad Morning

2025-08-25T14:12:26Z

Hexagondolier: Created page with "{{Stub}}{{Spoiler}} {{Music infobox | image = Boring Room.png | size = | track-no = 150 | length = 0:37 | author = Jami Lynne<ref>[https://www.youtube.com/watch?v=yA9Tz50cx9Q OMORI OST on YouTube]</ref> | bpm = irregular (approx. 58) | key = F major | time-signature = 4/4 | file-name = event_bad_morning.ogg }} '''Bad Morning''' is the 150th track in the official soundtrack of ''OMORI''. It plays in Black Space in the Boring Room. The room is..."

{{Stub}}{{Spoiler}}
{{Music infobox
| image = Boring Room.png
| size =
| track-no = 150
| length = 0:37
| author = Jami Lynne<ref>[https://www.youtube.com/watch?v=yA9Tz50cx9Q OMORI OST on YouTube]</ref>
| bpm = irregular (approx. 58)
| key = F major
| time-signature = 4/4
| file-name = event_bad_morning.ogg
}}
'''Bad Morning''' is the 150th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays in [[Black Space]] in the [[Boring Room]]. The room is only encountered outside of Black Space on the [[Routes#Neutral Route|Neutral Route]], so it is a True Route exclusive track.

== Musical description ==
This track features a tinny, detuned electronic piano playing a melody that begins with the first several bars of [[Good Morning]], along with a low, foreboding humming noise.

== Motifs ==
Bad Morning uses the melody from Good Morning, the song that plays during the credits of the good ending.

== References ==

[[Category:Music]]

Good Morning

2025-08-25T13:26:10Z

Hexagondolier: Created page with "{{Spoiler}}{{Stub}} {{Music infobox | image = Good ending credits.png | size = | track-no = 177 | length = 1:48 | author = Jami Lynne<ref>[https://www.youtube.com/watch?v=1yIcUg5FyIs OMORI OST on YouTube]</ref> | bpm = 90 | key = F major | time-signature = 4/4 | file-name = Good End Credits Draft 5.webm }} '''Good Morning''' is the 177th track in the official soundtrack of ''OMORI''. It plays during the credits during the Endings#True Route#Good E..."

{{Spoiler}}{{Stub}}
{{Music infobox
| image = Good ending credits.png
| size =
| track-no = 177
| length = 1:48
| author = Jami Lynne<ref>[https://www.youtube.com/watch?v=1yIcUg5FyIs OMORI OST on YouTube]</ref>
| bpm = 90
| key = F major
| time-signature = 4/4
| file-name = Good End Credits Draft 5.webm
}}
'''Good Morning''' is the 177th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays during the credits during the [[Endings#True Route#Good Ending|good ending]]. It is an instrumental track with sing-along lyrics written by [[OMOCAT|Omocat]] displayed on screen.

== Lyrics ==
One more day the sun reaches my bed. 
One more day to spend alone again. 
Morning starts without me. 
I seem to find it hard to wake up. 
 
Steadily my thoughts take hold of me. 
It's hard to stay awake or fall asleep. 
Memories of the past, 
Both the good and the bad 
Overwhelm me. 
 
There's so much I wish I could take back. 
Sometimes I think maybe it's too late. 
Though the pain remains, 
And though it may be hard, 
I'll carry on. 
 
Time to rise and shine. 
Good morning! 
 
So the sun reaches my bed, 
One more day to spend alone again. 
Morning starts without me, 
I seem to find it hard to wake up...

== Musical analysis ==
The harmony stays within the key of F major but features some diminished chords, which adds a bittersweet and nostalgic feeling to the music. However, the track is overall upbeat, with a conjunct melody and a jaunty syncopated accompaniment. The three different synthesiser sounds used in the track to play the melody, a chime-like synth and two more neutral but bright sounding leads, which contribute to the optimistic mood created by the lyrics.

== Motifs ==
[[Bad Morning]] features a slowed down, eerie version of the main melody of Good Morning.

== Trivia ==
* The song was later performed by the OMORI team as part of a fundraiser for Stop AAPI Hate.<ref>[https://www.youtube.com/watch?v=9jYGHwkPe7g bo en and the OMORI Team sing Good Morning]</ref>

== References ==

[[Category:Music]]

WHITE SPACE (122)

2025-08-25T10:15:25Z

Hexagondolier:

Soundtrack

2025-08-25T06:42:45Z

Hexagondolier:

The '''soundtrack''' of ''[[OMORI]]'' contains 179 tracks and was composed by Pedro Silva, Jami Lynne and bo en. It was released on December 25, 2020.<ref>https://omori.bandcamp.com/album/omori-ost</ref>

== Track listing ==
{| class="wikitable"
|+
|-
! No. !! Title !! Length
|-
| 1 || [[Title]] || 00:37
|-
| 2 || [[WHITE SPACE (track)|WHITE SPACE]] || 00:41
|-
| 3 || [[Lost At A Sleepover]] || 00:56
|-
| 4 || [[Spaces In-between]] || 00:58
|-
| 5 || [[By Your Side.]] || 01:36
|-
| 6 || Let's Get Together Now! || 01:38
|-
| 7 || [[100 Sunny]] || 01:17
|-
| 8 || [[Trouble Brewing]] || 00:20
|-
| 9 || Push & Shove || 00:39
|-
| 10 || [[So, How'd We Do?]] || 00:19
|-
| 11 || [[It's Okay To Try Again...]] || 00:09
|-
| 12 || [[Trees...]] || 01:58
|-
| 13 || A Home For Flowers (Tulip) || 01:32
|-
| 14 || Acrophobia || 02:22
|-
| 15 || Tussle Among Trees || 01:10
|-
| 16 || A Place By A Lake || 01:35
|-
| 17 || Forest Chillin' || 01:22
|-
| 18 || Poems In The Fog || 01:49
|-
| 19 || Space Road 1979 || 01:33
|-
| 20 || See In Your Fantasy || 01:13
|-
| 21 || [[Sugar Star Planetarium]] || 02:14
|-
| 22 || Lost, Then Found! || 01:17
|-
| 23 || THE VENGEANCE OF THOSE FORGOTTEN IN DARKNESS || 01:12
|-
| 24 || Recycling Is A Concept! || 00:15
|-
| 25 || Lovesick - 80,000 Lightyears || 01:15
|-
| 26 || I Will Catch Up! || 01:42
|-
| 27 || Three Bar Logos || 01:13
|-
| 28 || YO DJ PUMP THIS PARTY || 00:20
|-
| 29 || Good For Health, Bad For Imagination || 01:29
|-
| 30 || Snow Forest - A Single Flower Blooms || 02:21
|-
| 31 || White Surf Style 6 || 01:32
|-
| 32 || Stardust Diving || 01:35
|-
| 33 || Oh My God. || 00:26
|-
| 34 || A Rose By Any Other Name... || 00:45
|-
| 35 || Stardust Dusting || 00:38
|-
| 36 || CHAOS ASSEMBLY || 01:05
|-
| 37 || The Elegance of the Mysterious and Distant || 00:36
|-
| 38 || Space Boyfriend's Tape - I Want Nothing More || 00:29
|-
| 39 || Trouble - NEVER/ALWAYS || 01:25
|-
| 40 || You Were Wrong. Go Back. || 01:24
|-
| 41 || Such A Time We Had Together || 00:50
|-
| 42 || Photograph || 00:53
|-
| 43 || Finding Shapes in the Clouds || 01:31
|-
| 44 || Where We Used To Play || 01:44
|-
| 45 || Bargain Bin Boys || 01:01
|-
| 46 || Woof || 00:31
|-
| 47 || Realistic Space Simulation || 01:27
|-
| 48 || Jash Bash || 00:21
|-
| 49 || Jash Bash 2: New Age of Heroes || 00:12
|-
| 50 || Jash Bash 3: Jashpocalypse Infinity || 00:28
|-
| 51 || Clash of Jash || 00:17
|-
| 52 || Take A Load Off || 01:27
|-
| 53 || I Prefer My Pizza 90% Grease || 00:44
|-
| 54 || Fresh...ish... || 01:41
|-
| 55 || High Fructose Headache || 01:07
|-
| 56 || I Think My Dad Shops Here... || 01:35
|-
| 57 || Just Leave Me Alone || 00:41
|-
| 58 || Cram It Wad || 00:22
|-
| 59 || Respite || 01:14
|-
| 60 || It Means Everything. || 01:13
|-
| 61 || See You Tomorrow || 02:18
|-
| 62 || A Home For Flowers (Empty) || 01:16
|-
| 63 || Help Me || 00:39
|-
| 64 || Arachnophobia || 02:31
|-
| 65 || Something, Alone || 00:36
|-
| 66 || Fade || 00:42
|-
| 67 || The Heart of the Desert || 01:49
|-
| 68 || Puddles || 01:54
|-
| 69 || PRANKED. || 01:03
|-
| 70 || An Archaeic Resonance || 00:58
|-
| 71 || 'X' Marks The Spot! || 00:55
|-
| 72 || Those Who Forget History || 00:46
|-
| 73 || Tumbleweeds || 01:44
|-
| 74 || Pyrefly Forest - Cat's Cradle || 04:27
|-
| 75 || Forest Frenzy || 02:09
|-
| 76 || Sweet Paralysis || 01:11
|-
| 77 || Sweetheart's Quest For Hearts || 01:24
|-
| 78 || How...sad! || 01:10
|-
| 79 || How...tragic! || 01:04
|-
| 80 || Eternal Dungeon || 01:24
|-
| 81 || Splintered Sweets In The Castle || 01:24
|-
| 82 || Wandering Rose || 01:53
|-
| 83 || Stationary Rose || 01:37
|-
| 84 || Valour Against All Odds || 00:54
|-
| 85 || I Definitely Promised You A Rose Garden || 01:57
|-
| 86 || World's End Valentine || 02:27
|-
| 87 || I Just Love The 50s!!! || 01:17
|-
| 88 || Lost Library || 01:15
|-
| 89 || Bookcase || 00:19
|-
| 90 || Thrifted Tchotchkes || 01:29
|-
| 91 || Swirly 1000x || 02:05
|-
| 92 || [[Dear Little Brother...]] || 01:13
|-
| 93 || Thalassophobia || 02:22
|-
| 94 || Water || 00:19
|-
| 95 || Hanging With The Boys || 02:19
|-
| 96 || [[WHITE SPACE (096)|WHITE SPACE]] || 01:01
|-
| 97 || Origin || 00:48
|-
| 98 || Long Way Down... || 01:25
|-
| 99 || The Last Resort || 01:40
|-
| 100 || Not-So-Empty-House || 00:54
|-
| 101 || It's A Ghost Dance || 00:42
|-
| 102 || Room For 4 || 01:35
|-
| 103 || Gator Gambol || 01:29
|-
| 104 || Clams Clams Clams || 01:08
|-
| 105 || Jawbreaker || 01:25
|-
| 106 || GOLDENVENGEANCE || 02:29
|-
| 107 || Underwater Highway || 01:34
|-
| 108 || Squall || 01:23
|-
| 109 || Aquifer || 03:45
|-
| 110 || Numbers || 02:56
|-
| 111 || Sinking || 03:25
|-
| 112 || H20:HCL || 01:58
|-
| 113 || Chemistry On And On || 01:21
|-
| 114 || But I Wanna See It All With You! || 00:57
|-
| 115 || Grimey || 01:15
|-
| 116 || Underwater Prom Queens || 02:07
|-
| 117 || Whale Whale Whale || 01:13
|-
| 118 || Swallow Hollow || 00:56
|-
| 119 || Gross... || 00:25
|-
| 120 || That One Song But It's Some Mermaids || 00:20
|-
| 121 || Undertow || 03:22
|-
| 122 || [[WHITE SPACE (122)|WHITE SPACE]] || 00:59
|-
| 123 || Fermentation Disorientation || 01:18
|-
| 124 || Flouring With You || 01:17
|-
| 125 || BREADY STEADY GO || 02:05
|-
| 126 || Recyling Really Is A Concept || 01:23
|-
| 127 || Remember To Be Patient || 01:39
|-
| 128 || Cold! || 01:06
|-
| 129 || You Cannot Go Back || 02:43
|-
| 130 || Tee-hee Time || 01:44
|-
| 131 || Welcome Again. || 00:44
|-
| 132 || Fleur || 01:07
|-
| 133 || Distance || 00:37
|-
| 134 || Drone || 00:31
|-
| 135 || Calm || 00:41
|-
| 136 || Glade || 00:59
|-
| 137 || 56-12-2 || 01:21
|-
| 138 || Bloom || 00:57
|-
| 139 || August/Water || 01:43
|-
| 140 || 5ths || 01:31
|-
| 141 || Waiting For... || 00:40
|-
| 142 || Nawa || 01:35
|-
| 143 || White Pillars || 03:02
|-
| 144 || Come and See || 02:22
|-
| 145 || Friends. || 00:58
|-
| 146 || Friendsssssss. || 00:14
|-
| 147 || Orchard || 01:02
|-
| 148 || Temple || 02:15
|-
| 149 || Look || 00:47
|-
| 150 || Bad Morning || 00:37
|-
| 151 || Listening || 01:10
|-
| 152 || A Red Shape || 00:26
|-
| 153 || Do You Remember? || 00:36
|-
| 154 || Playing Forever || 01:43
|-
| 155 || Treehouse - Here We Are, Together Again || 01:18
|-
| 156 || Save || 00:41
|-
| 157 || Something || 01:30
|-
| 158 || A Home For Flowers (Daisy) || 01:19
|-
| 159 || Remina || 01:12
|-
| 160 || Normal. || 00:35
|-
| 161 || Your Catastrophes || 00:45
|-
| 162 || Your Catastrophes - Procession || 01:32
|-
| 163 || Crossroads || 02:09
|-
| 164 || The Violin || 00:21
|-
| 165 || A Home For Flowers (Sunflower) || 01:24
|-
| 166 || You Must Carry On. || 01:44
|-
| 167 || Remembrance. || 00:27
|-
| 168 || OMORI || 04:13
|-
| 169 || OMORI - ALTER || 01:26
|-
| 170 || Try Again Little Brother || 00:17
|-
| 171 || Persevere || 00:27
|-
| 172 || DUET || 02:12
|-
| 173 || Gone || 00:27
|-
| 174 || Wake Up || 00:36
|-
| 175 || Clean Slate || 00:59
|-
| 176 || The Truth || 00:11
|-
| 177 || Good Morning || 01:48
|-
| 178 || My Time || 03:33
|-
| 179 || Fin ||00:21
|}

== References ==

[[Category:Music]]

OMORI Wiki:Discussion

2025-08-25T06:37:08Z

Hexagondolier: /* Uploading files */ new section

__NEWSECTIONLINK__
<div class="theme-generic-light theme-generic-border plainlinks" style="margin:20px 0; padding:15px 20px; font-size:175%; text-align:center;">[{{fullurl:OMORI_Wiki:Discussion|action=edit&section=new}} '''Create a new section''']</div>
__TOC__

== Welcome to the OMORI Wiki Discussion page ==
Hi,

This is the new OMORI Wiki Discussion page. You can use this page to contact staff, ask questions, chat & coordinate with other members, and so on. 
Feel free to respond to this section with any questions or concerns.

Thanks, - [[User:Boba|Boba]] 01:17, 30 January 2022 (CET)

H e l o

hello, does anyone here know how to delete a file? i cant figure out how to do so and i have a couple duplicates i would like to get rid of. thank you [[User:BirdWithABat|BirdWithABat]] ([[User talk:BirdWithABat|talk]]) 17:42, 22 August 2023 (CEST)BirdWithABat

== Article formatting ==

I am new to this wiki, does it follow the same rules of formatting as wikipedia? (i.e Neutral Point of View, Reliable Sources and No Original Research) I found the style guide, which was very helpful, but I can't seem to find a formatting guide. [[User:Azsrs|Azsrs]] ([[User talk:Azsrs|talk]]) 21:10, 2 March 2024 (CET)

== Message to wiki moderators ==

Do you have a contact of some sort? Anything to help potentially replace the crappy fandom wiki?
[[User:Softcustomer]] ([[User talk:Softcustomer|talk]]) 17:48, 8 August 2024 (EST)

== Bosses Strategies ==

hi, can i also explain some boss strategies in their wiki page or something? like adding a strategies section on their wiki page for help players defeat bosses easier.
[[User:Prhamidzadeh]] ([[Usertalk:PrHamidzadeh|talk]]) 14:18, 8 September 2024 (+3:30)

== Uploading files ==

Hello, whenever I try to upload a file I get the error message "Could not open lock file for "mwstore://local-backend/local-public/a/a6/(file name)". Make sure your upload directory is configured correctly and your web server has permission to write to that directory. See https://www.mediawiki.org/wiki/Special:MyLanguage/Manual:$wgUploadDirectory for more information." Is this an issue with a website, or with my account?
[[User:Hexagondolier|Hexagondolier]] ([[User talk:Hexagondolier|talk]]) 08:37, 25 August 2025 (CEST)

Dear Little Brother...

2025-08-24T17:39:04Z

Hexagondolier:

{{Spoiler}}{{Stub}}
{{Music infobox
| image =
| size =
| track-no = 92
| length = 1:13
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=t3b52Z2qtfw OMORI OST on YouTube]</ref>
| bpm = 59
| key = B major
| time-signature = 4/4
| file-name = event_mari_drowning with amb_mari_water
}}
'''Dear Little Brother...''' is the 92nd track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays during the segment with [[Mari]] as a spirit after [[Sunny]] jumps into the lake on the [[Routes#True_Route|True Route]], or falls asleep in the bathtub on the Neutral Route. It also plays after entering [[Black Space]] for the first time, ending when the player reaches Mari's coffin.

== Musical description ==

== Analysis ==

== Motifs ==
''Dear Little Brother'' features Mari's theme, but uses only the right hand part of By Your Side. It is also played an octave higher and at a much slower tempo.

== Trivia ==

== References ==

[[Category:Music]]

Dear Little Brother...

2025-08-24T14:40:55Z

Hexagondolier: Created page with "{{Spoiler}}{{Stub}} {{Music infobox | image = | size = | track-no = 92 | length = 1:13 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=t3b52Z2qtfw OMORI OST on YouTube]</ref> | bpm = 59 | key = B major | time-signature = 4/4 | file-name = event_mari_drowning with amb_mari_water }} '''Dear Little Brother...''' is the 92nd track in the official soundtrack of ''OMORI''. It plays during the segment with Mari as a spirit after Sunny..."

{{Spoiler}}{{Stub}}
{{Music infobox
| image =
| size =
| track-no = 92
| length = 1:13
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=t3b52Z2qtfw OMORI OST on YouTube]</ref>
| bpm = 59
| key = B major
| time-signature = 4/4
| file-name = event_mari_drowning with amb_mari_water
}}
'''Dear Little Brother...''' is the 92nd track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays during the segment with [[Mari]] as a spirit after [[Sunny]] jumps into the lake on the [[Routes#True_Route|True Route]], or falls asleep in the bathtub on the Neutral Route. It also plays after entering [[Black Space]] for the first time, ending when the player reaches Mari's coffin.

== Musical description ==

== Analysis ==

== Motifs ==
''Dear Little Brother'' features Mari's theme, but uses only the right hand part of By Your Side. It is also played an octave higher and at a much slower tempo.

== Trivia ==
* Due to its title, this track is often associated with [[Omori|Omori's]] encounter with Mari in her spirit form at the beginning of the [[Headspace]] segment in Two Days Left, but it doesn't play then.

== References ==

[[Category:Music]]

By Your Side.

2025-08-24T14:04:39Z

Hexagondolier:

{{Stub}}
{{Music infobox
| image =
| size =
| track-no = 5
| length = 1:36
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=7GIWV__qx4M OMORI OST on YouTube]</ref>
| bpm = 88
| key = B major
| time-signature = 4/4
| file-name = event_maris_theme.ogg
}}
'''By Your Side''' is the 5th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It is [[Mari|Mari's]] theme, and plays during cutscenes with her and about her.

== Musical description ==
The track features a piano playing a sweet and gentle melody, with chords in a syncopated rhythm played by the left hand. As it continues, other instruments begin to fill in the texture, including a synth pad and a flute. It is 32 bars long and has a symmetrical structure, with the latter 16 bars being a repeat of the first 16, with differences in instrumentation such as the piano melody being doubled by a synth. It can be divided into four bar phrases, which in turn can be divided into two bar phrases, which all have a similar melodic contour. The chord progression repeats every two bars and uses the chords bVII - vi - V, with some variations with extensions as the piece continues.

== Analysis ==
''By Your Side'' makes use of chromaticism, which adds a bittersweet feeling to the music. The strong beats are not greatly emphasised, which can be seen in how the melody starts on the off-beat after beat 1, and in the syncopated elements in the accompaniment and main melody. This, along with the instrumentation, helps to create a gentle sound. The track prominently uses a flattened 7th (A♮), mostly as the root note of the A chord but also in the melody, giving it a mixolydian flavour. Here, the modal feel emphasises the more melancholic aspects of the music.

== Motifs ==
''By Your Side'' is Mari's theme. The theme also appears in [[Dear Little Brother...|Dear Little Brother]], where it is played slower and without the left hand accompaniment.

== References ==

[[Category:Music]]

By Your Side.

2025-08-24T13:25:58Z

Hexagondolier: Created page with "{{Stub}} {{Music infobox | image = | size = | track-no = 5 | length = 1:36 | author = Pedro Silva<ref>[https://www.youtube.com/watch?v=7GIWV__qx4M OMORI OST on YouTube]</ref> | bpm = 88 | key = B major | time-signature = 4/4 | file-name = event_maris_theme.ogg }} '''By Your Side''' is the 5th track in the official soundtrack of ''OMORI''. It is Mari's theme, and plays during cutscenes with her and about her. == Musical description == The..."

{{Stub}}
{{Music infobox
| image =
| size =
| track-no = 5
| length = 1:36
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=7GIWV__qx4M OMORI OST on YouTube]</ref>
| bpm = 88
| key = B major
| time-signature = 4/4
| file-name = event_maris_theme.ogg
}}
'''By Your Side''' is the 5th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It is [[Mari|Mari's]] theme, and plays during cutscenes with her and about her.

== Musical description ==
The track features a piano playing a sweet and gentle melody, with chords in a syncopated rhythm played by the left hand. As it continues, other instruments begin to fill in the texture, including a synth pad and a flute. It is 32 bars long and has a symmetrical structure, with the latter 16 bars being a repeat of the first 16, with differences in instrumentation such as the piano melody being doubled by a synth. It can be divided into four bar phrases, which in turn can be divided into two bar phrases, which all have a similar melodic contour. The chord progression repeats every two bars and uses the chords bVII - vi - V, with some variations with extensions as the piece continues.

== Analysis ==
''By Your Side'' makes use of chromaticism, which adds a bittersweet feeling to the music. The strong beats are not greatly emphasised, which can be seen in how the melody starts on the off-beat after beat 1, and in the syncopated elements in the accompaniment and main melody. This, along with the instrumentation, helps to create a gentle sound. The track prominently uses a flattened 7th (A♮), mostly as the root note of the A chord but also in the melody, giving it a mixolydian flavour. Here, the modal feel emphasises the more melancholic aspects of the music.

== Motifs ==
''By Your Side'' is Mari's theme. The theme also appears in [[Dear Little Brother...|Dear Little Brother]], played slower and without the left hand accompaniment.

== References ==

[[Category:Music]]

Soundtrack

2025-08-24T09:20:12Z

Hexagondolier:

The '''soundtrack''' of ''[[OMORI]]'' contains 179 tracks and was composed by Pedro Silva, Jami Lynne and bo en. It was released on December 25, 2020.<ref>https://omori.bandcamp.com/album/omori-ost</ref>

== Track listing ==
{| class="wikitable"
|+
|-
! No. !! Title !! Length
|-
| 1 || [[Title]] || 00:37
|-
| 2 || [[WHITE SPACE (track)|WHITE SPACE]] || 00:41
|-
| 3 || Lost At A Sleepover || 00:56
|-
| 4 || Spaces In-between || 00:58
|-
| 5 || [[By Your Side.]] || 01:36
|-
| 6 || Let's Get Together Now! || 01:38
|-
| 7 || [[100 Sunny]] || 01:17
|-
| 8 || [[Trouble Brewing]] || 00:20
|-
| 9 || Push & Shove || 00:39
|-
| 10 || [[So, How'd We Do?]] || 00:19
|-
| 11 || [[It's Okay To Try Again...]] || 00:09
|-
| 12 || Trees... || 01:58
|-
| 13 || A Home For Flowers (Tulip) || 01:32
|-
| 14 || Acrophobia || 02:22
|-
| 15 || Tussle Among Trees || 01:10
|-
| 16 || A Place By A Lake || 01:35
|-
| 17 || Forest Chillin' || 01:22
|-
| 18 || Poems In The Fog || 01:49
|-
| 19 || Space Road 1979 || 01:33
|-
| 20 || See In Your Fantasy || 01:13
|-
| 21 || [[Sugar Star Planetarium]] || 02:14
|-
| 22 || Lost, Then Found! || 01:17
|-
| 23 || THE VENGEANCE OF THOSE FORGOTTEN IN DARKNESS || 01:12
|-
| 24 || Recycling Is A Concept! || 00:15
|-
| 25 || Lovesick - 80,000 Lightyears || 01:15
|-
| 26 || I Will Catch Up! || 01:42
|-
| 27 || Three Bar Logos || 01:13
|-
| 28 || YO DJ PUMP THIS PARTY || 00:20
|-
| 29 || Good For Health, Bad For Imagination || 01:29
|-
| 30 || Snow Forest - A Single Flower Blooms || 02:21
|-
| 31 || White Surf Style 6 || 01:32
|-
| 32 || Stardust Diving || 01:35
|-
| 33 || Oh My God. || 00:26
|-
| 34 || A Rose By Any Other Name... || 00:45
|-
| 35 || Stardust Dusting || 00:38
|-
| 36 || CHAOS ASSEMBLY || 01:05
|-
| 37 || The Elegance of the Mysterious and Distant || 00:36
|-
| 38 || Space Boyfriend's Tape - I Want Nothing More || 00:29
|-
| 39 || Trouble - NEVER/ALWAYS || 01:25
|-
| 40 || You Were Wrong. Go Back. || 01:24
|-
| 41 || Such A Time We Had Together || 00:50
|-
| 42 || Photograph || 00:53
|-
| 43 || Finding Shapes in the Clouds || 01:31
|-
| 44 || Where We Used To Play || 01:44
|-
| 45 || Bargain Bin Boys || 01:01
|-
| 46 || Woof || 00:31
|-
| 47 || Realistic Space Simulation || 01:27
|-
| 48 || Jash Bash || 00:21
|-
| 49 || Jash Bash 2: New Age of Heroes || 00:12
|-
| 50 || Jash Bash 3: Jashpocalypse Infinity || 00:28
|-
| 51 || Clash of Jash || 00:17
|-
| 52 || Take A Load Off || 01:27
|-
| 53 || I Prefer My Pizza 90% Grease || 00:44
|-
| 54 || Fresh...ish... || 01:41
|-
| 55 || High Fructose Headache || 01:07
|-
| 56 || I Think My Dad Shops Here... || 01:35
|-
| 57 || Just Leave Me Alone || 00:41
|-
| 58 || Cram It Wad || 00:22
|-
| 59 || Respite || 01:14
|-
| 60 || It Means Everything. || 01:13
|-
| 61 || See You Tomorrow || 02:18
|-
| 62 || A Home For Flowers (Empty) || 01:16
|-
| 63 || Help Me || 00:39
|-
| 64 || Arachnophobia || 02:31
|-
| 65 || Something, Alone || 00:36
|-
| 66 || Fade || 00:42
|-
| 67 || The Heart of the Desert || 01:49
|-
| 68 || Puddles || 01:54
|-
| 69 || PRANKED. || 01:03
|-
| 70 || An Archaeic Resonance || 00:58
|-
| 71 || 'X' Marks The Spot! || 00:55
|-
| 72 || Those Who Forget History || 00:46
|-
| 73 || Tumbleweeds || 01:44
|-
| 74 || Pyrefly Forest - Cat's Cradle || 04:27
|-
| 75 || Forest Frenzy || 02:09
|-
| 76 || Sweet Paralysis || 01:11
|-
| 77 || Sweetheart's Quest For Hearts || 01:24
|-
| 78 || How...sad! || 01:10
|-
| 79 || How...tragic! || 01:04
|-
| 80 || Eternal Dungeon || 01:24
|-
| 81 || Splintered Sweets In The Castle || 01:24
|-
| 82 || Wandering Rose || 01:53
|-
| 83 || Stationary Rose || 01:37
|-
| 84 || Valour Against All Odds || 00:54
|-
| 85 || I Definitely Promised You A Rose Garden || 01:57
|-
| 86 || World's End Valentine || 02:27
|-
| 87 || I Just Love The 50s!!! || 01:17
|-
| 88 || Lost Library || 01:15
|-
| 89 || Bookcase || 00:19
|-
| 90 || Thrifted Tchotchkes || 01:29
|-
| 91 || Swirly 1000x || 02:05
|-
| 92 || [[Dear Little Brother...]] || 01:13
|-
| 93 || Thalassophobia || 02:22
|-
| 94 || Water || 00:19
|-
| 95 || Hanging With The Boys || 02:19
|-
| 96 || [[WHITE SPACE (096)|WHITE SPACE]] || 01:01
|-
| 97 || Origin || 00:48
|-
| 98 || Long Way Down... || 01:25
|-
| 99 || The Last Resort || 01:40
|-
| 100 || Not-So-Empty-House || 00:54
|-
| 101 || It's A Ghost Dance || 00:42
|-
| 102 || Room For 4 || 01:35
|-
| 103 || Gator Gambol || 01:29
|-
| 104 || Clams Clams Clams || 01:08
|-
| 105 || Jawbreaker || 01:25
|-
| 106 || GOLDENVENGEANCE || 02:29
|-
| 107 || Underwater Highway || 01:34
|-
| 108 || Squall || 01:23
|-
| 109 || Aquifer || 03:45
|-
| 110 || Numbers || 02:56
|-
| 111 || Sinking || 03:25
|-
| 112 || H20:HCL || 01:58
|-
| 113 || Chemistry On And On || 01:21
|-
| 114 || But I Wanna See It All With You! || 00:57
|-
| 115 || Grimey || 01:15
|-
| 116 || Underwater Prom Queens || 02:07
|-
| 117 || Whale Whale Whale || 01:13
|-
| 118 || Swallow Hollow || 00:56
|-
| 119 || Gross... || 00:25
|-
| 120 || That One Song But It's Some Mermaids || 00:20
|-
| 121 || Undertow || 03:22
|-
| 122 || [[WHITE SPACE (122)|WHITE SPACE]] || 00:59
|-
| 123 || Fermentation Disorientation || 01:18
|-
| 124 || Flouring With You || 01:17
|-
| 125 || BREADY STEADY GO || 02:05
|-
| 126 || Recyling Really Is A Concept || 01:23
|-
| 127 || Remember To Be Patient || 01:39
|-
| 128 || Cold! || 01:06
|-
| 129 || You Cannot Go Back || 02:43
|-
| 130 || Tee-hee Time || 01:44
|-
| 131 || Welcome Again. || 00:44
|-
| 132 || Fleur || 01:07
|-
| 133 || Distance || 00:37
|-
| 134 || Drone || 00:31
|-
| 135 || Calm || 00:41
|-
| 136 || Glade || 00:59
|-
| 137 || 56-12-2 || 01:21
|-
| 138 || Bloom || 00:57
|-
| 139 || August/Water || 01:43
|-
| 140 || 5ths || 01:31
|-
| 141 || Waiting For... || 00:40
|-
| 142 || Nawa || 01:35
|-
| 143 || White Pillars || 03:02
|-
| 144 || Come and See || 02:22
|-
| 145 || Friends. || 00:58
|-
| 146 || Friendsssssss. || 00:14
|-
| 147 || Orchard || 01:02
|-
| 148 || Temple || 02:15
|-
| 149 || Look || 00:47
|-
| 150 || Bad Morning || 00:37
|-
| 151 || Listening || 01:10
|-
| 152 || A Red Shape || 00:26
|-
| 153 || Do You Remember? || 00:36
|-
| 154 || Playing Forever || 01:43
|-
| 155 || Treehouse - Here We Are, Together Again || 01:18
|-
| 156 || Save || 00:41
|-
| 157 || Something || 01:30
|-
| 158 || A Home For Flowers (Daisy) || 01:19
|-
| 159 || Remina || 01:12
|-
| 160 || Normal. || 00:35
|-
| 161 || Your Catastrophes || 00:45
|-
| 162 || Your Catastrophes - Procession || 01:32
|-
| 163 || Crossroads || 02:09
|-
| 164 || The Violin || 00:21
|-
| 165 || A Home For Flowers (Sunflower) || 01:24
|-
| 166 || You Must Carry On. || 01:44
|-
| 167 || Remembrance. || 00:27
|-
| 168 || OMORI || 04:13
|-
| 169 || OMORI - ALTER || 01:26
|-
| 170 || Try Again Little Brother || 00:17
|-
| 171 || Persevere || 00:27
|-
| 172 || DUET || 02:12
|-
| 173 || Gone || 00:27
|-
| 174 || Wake Up || 00:36
|-
| 175 || Clean Slate || 00:59
|-
| 176 || The Truth || 00:11
|-
| 177 || Good Morning || 01:48
|-
| 178 || My Time || 03:33
|-
| 179 || Fin ||00:21
|}

== References ==

[[Category:Music]]

Trouble Brewing

2025-08-24T09:18:17Z

Hexagondolier:

{{Spoiler}}{{Stub}}
{{Music infobox
| image =
| size =
| track-no = 8
| length = 0:20
| author = Pedro Silva<ref>[https://www.youtube.com/watch?v=AO4-wj6WLO4 OMORI OST on YouTube]</ref>
| bpm = 134
| key =
| time-signature = 4/4
| file-name = event_battlebrewin.ogg
}}
'''Trouble Brewing''' is the 8th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays during the lead-up to the fight with [[Boss (enemy)|Boss]] in the [[Vast_Forest#Forest_Playground|Forest Playground]], in Faraway Town from hearing [[Basil]]'s calls for help to the confrontation with the [[Hooligans]], and while running from the [[Experiment 667|667th experiment]] in [[Humphrey (location)|Humphrey]].

== Musical description ==
This track features an ominous, chromatically descending motif, while a synth pad plays two notes, that differ by a semitone. It uses a dotted, syncopated rhythm.

== References ==

[[Category:Music]]

WHITE SPACE (002)

2025-08-24T09:12:46Z

Hexagondolier:

{{Stub}}
{{Music infobox
| image = White Space.png
| size = 250px
| track-no = 2
| length = 0:41
| author = Jami Lynne<ref>https://www.youtube.com/watch?v=wtVHR_1fS5k</ref>
| bpm = 103
| key = D♭ major
| time-signature = 3/4
| file-name = white_space.ogg
}}
'''WHITE SPACE'''<ref>https://omori.bandcamp.com/track/white-space-2</ref> is the second track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. On the [[Routes#True Route|True Route]], it plays while [[Omori]] is in [[White Space]] during the Prologue, with subsequent chapters using piano versions of the track. In contrast, on the [[Routes#Neutral_Route|Neutral Route]], it is used in White Space in every chapter.

== Musical description ==

WHITE SPACE is composed in a chiptune style. The musical material is eight bars long. It contains two 2-bar phrases, both repeating twice. The first phrase contains stepwise motion around Db and the second phrase outlines a Db major chord. The accompanying chords, IV and I, are arpeggiated.

== Analysis ==
The melody is simple and diatonic, and consists only of quarter notes. The song uses two chords, Gb major and Db major, two of the most stable chords in the key. They form a plagal cadence, which creates a gentle sense of resolution. These elements create a calm and peaceful atmosphere, but also a sense of stagnation, which is heightened by the repeating material being only 13 seconds long, meaning the player will hear it several times even if they are only in White Space for a short while. The sparse instrumentation reflects the emptiness of White Space.

== Motif ==
The White Space motif appears in the following tracks:
* 11 - [[It's Okay To Try Again...]] - the first two bars follow a similar shape to the motif
* 16 - A Place By A Lake - a shortened version of the White Space motif is heard around halfway through the track
* 96 - [[WHITE SPACE (096)|WHITE SPACE]] - piano version of this track
* 122 - [[WHITE SPACE (122)|WHITE SPACE]] - a second piano version of this track
* 131 - Welcome Again. - an off-key version of the motif played monophonically
* 170 - Try Again Little Brother - the first two bars are identical to the White Space motif

== Trivia ==
* The music is played in-game at 60% of the speed and pitch of the music in the game files.

== References ==

[[Category:Music]]

So, How'd We Do?

2025-08-24T09:07:30Z

Hexagondolier: Created page with "{{Stub}} {{Music infobox | image = Victory.png | size = | track-no = 10 | length = 0:19 | author = Jami Lynne<ref>[https://www.youtube.com/watch?v=L1Vuc1-9fh8 OMORI OST on YouTube]</ref> | bpm = 100 | key = C major | time-signature = 4/4 | file-name = xx_victory.ogg }} '''So, How'd We Do?''' is the 10th track in the official soundtrack of ''OMORI''. It plays after winning a battle. == Musical description == The track is eight bars long. It feature..."

{{Stub}}
{{Music infobox
| image = Victory.png
| size =
| track-no = 10
| length = 0:19
| author = Jami Lynne<ref>[https://www.youtube.com/watch?v=L1Vuc1-9fh8 OMORI OST on YouTube]</ref>
| bpm = 100
| key = C major
| time-signature = 4/4
| file-name = xx_victory.ogg
}}
'''So, How'd We Do?''' is the 10th track in the official [[soundtrack]] of ''[[OMORI (game)|OMORI]]''. It plays after winning a battle.

== Musical description ==
The track is eight bars long. It features a warm synth pad with a smooth lead. The melody can be split into two phrases of four bars each, with each phrase starting the same way. It starts off somewhat tonally ambiguous, but ends resolving clearly on a C major chord.

== Analysis ==
The lyrical nature of the melody and initial lack of clear tonality make this track sound more calm and reflective than a typical victory theme.

== References ==

[[Category:Music]]